Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
Slowly the deeper shadows receded, and in their place came the dim
forms of houses. Then a sharp turn and we were walking along a real
road with the familiar knitting-needles of the Japanese tramway shining
in the twilight. After a while the houses grew denser, and some of
them had lights; but the contrast only made the pale dark of the open
roadway seem still blacker.
Large trucks, like kitchen-tables with their legs cut short, came
sliding past us as we stumbled on, gliding slowly down the road alone
and unattached.
Parties of pilgrims in white, with white staves in their hands, came
unexpectedly out of the darkness, and the lighted paper lanterns in
their hands warmed their white clothes into a rich cream-yellow,
precipitating them into solid bodies from the waist downward, while
their heads and shoulders drifted slowly on through the pale night like
impalpable ghosts.
We had reached the top of the hill, and the road, in a sudden turn,
ran sharply away from us. The houses were on both sides now in one
continuous line, and the shock of meeting trucks jarred through the
street. There was a flare of orange light where the knitting-needles
became a shunting-yard.
This was Yoshida.
Our landlady was aristocratic to her finger-tips. She had the long
slim neck, the long thin face, with its pure outlines, the long
narrow eyes, the long graceful body, and the delicate poise which is
the ideal type of the aristocrat--and rare even among them. When she
knelt on the matting to receive us, she did it with the distinction
of a queen, and all her movements showed that clean-cut grace, that
courtesy without effort, that refinement of pose and gesture which
only the continued culture of long generations can produce, and which
is to mere politeness or mere beauty as the subtle music of the poet
to Monsieur Jourdain’s prose. Her husband was a bullet-headed man
of the people, stubby and plebeian. His manners, like his Japanese,
were polite of course, but undistinguished, while our hostess spoke a
language as courtly as her ways. When she glided over the matting, her
long sleeves swaying, or stretched out her thin slim-fingered hand to
take our tea-cups, we felt like beings of a lower evolution, and this
higher product, evolved by centuries of self-control and a living love
of beauty, was the human form made perfect, to which we might, perhaps,
one day attain.
Public-domain text, read in full here on John Shaqi.
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