Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
The third lake was black, ink-black, black as strong-cast shadows in
the moonlight. Tarnished and still it lay, without a glitter or a
gleam; yet the washing wavelets, as they poured over the stone at our
feet, were pure and clear, and the high steep hills that half encircled
it were dense with the greenest trees.
The ghostly wood was ended, the petrified river gone; on the banks of
this sombre lake living trees were growing. Tangled and thick and high,
they walled in three sides of the lake, and, sweeping round in a long
thin promontory, divided the ink-black waters with a sword of green.
Along the hill there ran no pathway, the trees stood too thick, the
hill too steep. There was no boat upon the lake nor any road around
it. The black waters washed to the foot of the trees, the trees
stretched green to the top of the hills, and lake and wood were still
as undiscovered country.
And behind us lay all the long silence of the ghostly wood.
On the very edge of the promontory a white house rested, poised like a
gull on the water, but the dead-black lake gave back no reflection, and
the dark-green hills caught no colour from the sun, nor stirred a leaf.
Silent as the waters the house poised white beneath the evening sky.
On three sides the high hills shut in the lake, but on the fourth the
lava-stones met the marsh, the marsh the common, and wide and flat the
common stretched away to the beyond.
A little while and the setting sun was down behind the hills, and all
the sky was darkening into night. Far over the common, and purple as a
king’s raiment, rose Fuji San. Grand and lonely he stood between dark
earth and darkening sky; far off on the edge of the world, and all the
solemn stillness of the evening wrapt him round.
Gently fell the twilight on lake and hill. The grey spaces of the
common stretched more vast and wide. The night was coming fast.
Beneath my feet the blackness of the waters opened as the deep abyss.
Behind, the horror of the spell-bound wood waited wide-eyed. Sweeping
onwards in the twilight the indistinctness of the common passed out of
sight, the pathless hills closed round me.
Then the spell of the ghostly wood reached out to clutch. I looked
towards the light.... Dim as Life’s hope it lay, far off beyond the
horizon, while all the blackness of the lake and hill surrounded me.
I strained my eyes across the indistinctness, and from that far-off
heaven a lofty Presence leaned.
It was the Great God Fuji.
III
EPILOGUE
The blue sea lies sleeping warm and still; the sky, another sea, sleeps
too; only the green headlands standing between blue and blue watch,
their feet in the water. And the heat is the heat of a summer’s noon.
So still the sea, so quiet the sky, so calm the earth that the soft
breath of the sleeping ocean comes as a rippling sigh towards the land,
while the blue sea above floats lazy.
Public-domain text, read in full here on John Shaqi.
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