Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
The blossoming of all the other flowers, plum, peach, azalea, peony,
wistaria, iris, lotus, convolvulus, maple, chrysanthemum, are equally
visited, and advertised daily in the newspapers. The people of Japan
take few holidays, but those they do take are almost always at the time
of the flower festivals.
When they can afford something more expensive they go to the “Royal
Academy,” which opens its doors twice in the year for the aristocratic
sum of 3 _sen_ (¾_d._) _gheta_ (wooden clogs) and umbrellas
left outside, 5 _rin_ (10 _rin_ make ¼_d._). The other picture
exhibitions, not having the status of the Tokyo “Royal Academy,” are
more moderate, averaging 1 to 2 _sen_ for admission, and _gheta_, free.
The entrance to the exhibitions of bronze, lacquer, porcelain and
other arts is the same. Even on the basis of Japanese incomes, where a
General earns £300 a year, the Headmaster of a Public School £160 and
a coolie 6_d._ a day, the charges are exceedingly moderate. And the
people, the real working people, go. I should be curious to find out
how many working men have paid at the turnstiles of Burlington House.
Besides art exhibitions, Japanese workmen go to the theatre, but this
is a taste they share with many other nations; what is all their own is
their love of pilgrimages, not only to temples of religious repute, but
to places of celebrated beauty. Fujiyama is yearly ascended by hundreds
of thousands of pilgrims. Here religion and beauty are mingled. For
the great mountain is sacred. So is almost every spot in Japan that
is particularly beautiful. As one journeys through the country, the
traveller will always find that the most beautiful point of view,
the grandest scene, the loveliest nook, has a temple, or at least a
wayside shrine, set up by the common people and tended by them. There
never was a nation since the days of Ancient Greece who so entirely
believed that beauty is sacred, or who so entirely disbelieved that
art can be divorced from ethics. They have the love of beauty innate
and inalienable. A man I knew was once crossing Tokyo in a _’ricksha_;
he was a prosperous, commercial being with a vast contempt for the
“heathen.” It was late afternoon. His _kurumaya_, after looking round
at him several times, suddenly stopped short, and waving his hand to
the west said respectfully but firmly:
“Honourably please to observe the unusual glory of the sunset.”
“And I told him to jolly well get on,” was the end of the story as I
heard it.
Public-domain text, read in full here on John Shaqi.
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