The black creature rose again, showing the white at his side, and flying
with a stretched-out neck, frightened-looking, like a duck. His mate
rose too. And then all the gulls, flying low in a sort of protest over
the foam-tips. Richard had it all to himself--the ever-unfurling water,
the ragged, flat, square-holed rocks, the fawn sands inland, the soft
sand-bank, the sere flat grass where ponies wandered, the low,
red-painted bungalows squatting under coral trees, the ridge of tall
wire-thin trees holding their plumes in tufts at the tips, the stalky
cabbage-palms beyond in the hollow, clustering, low, whitish zinc roofs
of bungalows, at the edge of the dark trees--then the trees in darkness
swooping up to the wall of the tors, that ran a waving skyline sagging
southwards. Scattered, low, frail-looking bungalows with whitish roofs
and scattered dark trees among. A plume of smoke beyond, out of the
scarp front of trees. Near the sky, dark, old, aboriginal rocks. Then
again all the yellowish fore-front of the sea, yellow bare grass, the
homestead with leafless coral trees, the ponies above the sands, the
pale fawn foreshore, the sea, the floor of wet rock.
He had it all to himself. And there, with his hands in his pockets, he
drifted into indifference. The far-off, far-off, far-off indifference.
The world revolved and revolved and disappeared. Like a stone that has
fallen into the sea, his old life, the old meaning, fell, and rippled,
and there was vacancy, with the sea and the Australian shore in it.
Far-off, far-off, as if he had landed on another planet, as a man might
land after death. Leaving behind the body of care. Even the body of
desire. Shed. All that had meant so much to him, shed. All the old world
and self of care, the beautiful care as well as the weary care, shed
like a dead body. The landscape?--he cared not a thing about the
landscape. Love?--he was absolved from love, as if by a great pardon.
Humanity?--there was none. Thought?--fallen like a stone into the sea.
The great, the glamorous past?--worn thin, frail, like a frail,
translucent film of shell thrown up on the shore.
To be alone, mindless and memoryless between the sea, under the sombre
wall-front of Australia. To be alone with a long, wide shore and land,
heartless, soulless. As alone and as absent and as present as an
aboriginal dark on the sand in the sun. The strange falling-away of
everything. The cabbage-palms in the sea-wind were sere like old mops.
The jetty straddled motionless from the shore. A pony walked on the sand
snuffing the sea-weed.
The past all gone so frail and thin. “What have I cared about, what have
I cared for? There is nothing to care about.” Absolved from it all. The
soft, blue, humanless sky of Australia, the pale, white unwritten
atmosphere of Australia. Tabula rasa. The world a new leaf. And on the
new leaf, nothing. The white clarity of the Australian, fragile
atmosphere. Without a mark, without a record.
Public-domain text, read in full here on John Shaqi.
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