“Why have I cared? I don’t care. How strange it is here, to be soul-less
and alone.”
That was the perpetual refrain at the back of his mind. To be soulless
and alone, by the Southern Ocean, in Australia.
“Why do I wrestle with my soul? I have no soul.”
Clear as the air about him this truth possessed him.
“Why do I talk of the soul? My soul is shed like a sheath. I am soulless
and alone, soulless and alone. That which is soulless is perforce
alone.”
The sun was curving to the crest of the dark ridge. As soon as the sun
went behind the ridge, shadow fell on the shore, and a cold wind came,
he would go home. But he wanted the sun not to sink--he wanted the sun
to stand still, for fear it might turn back to the soulful world where
love is and the burden of bothering.
He saw something clutch in a pool. Crouching, he saw a horror--a
dark-grey, brown-striped octopus thing with two smallish, white beaks or
eyes, living in a cranny of a rock in a pool. It stirred the denser,
viscous pool of itself and unfurled a long dark arm through the water,
an arm studded with bright, orange-red studs or suckers. Then it curled
the arm in again, cuddling close. Perhaps a sort of dark shore octopus,
star-fish coloured amid its darkness. It was watching him as he
crouched. He dropped a snail-shell near it. It huddled closer, and one
of the beak-like white things disappeared; or were they eyes? Heaven
knows. It eased out again, and from its dense jelly mass another thick
dark arm swayed out, studded with the sea-orange studs. And he crouched
and watched, while the white water hissed nearer to drive him away.
Creatures of the sea! Creatures of the sea! The sea-water was round his
boots, he rose with his hands in his pockets, to wander away.
The sun went behind the coal-dark hill, though the waves still glowed
white-gold, and the sea was dark blue. But the shore had gone into
shadow, and the cold wind came at once, like a creature that was lying
in wait. The upper air seethed, seemed to hiss with light. But here was
shadow, cold like the arm of the dark octopus. And the moon already in
the sky.
Home again. But what was home? The fish has the vast ocean for home. And
man has timelessness and nowhere. “I won’t delude myself with the
fallacy of home,” he said to himself. “The four walls are a blanket I
wrap around in, in timelessness and nowhere, to go to sleep.”
Back to Harriet, to tea. Harriet? Another bird like himself. If only she
wouldn’t speak, talk, feel. The weary habit of talking and having
feelings. When a man has no soul he has no feelings to talk about. He
wants to be still. And “meaning” is the most meaningless of illusions.
An outworn garment.
Harriet and he? It was time they both agreed that nothing has any
meaning. Meaning is a dead letter when a man has no soul. And speech is
like a volley of dead leaves and dust, stifling the air. Human beings
should learn to make weird, wordless cries, like the animals, and cast
off the clutter of words.
Public-domain text, read in full here on John Shaqi.
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