Karma: A Re-incarnation Play: In Prologue, Epilogue & Three ActsBlackwood, Algernon
Religion
Karma: A Re-incarnation Play: In Prologue, Epilogue & Three Acts
Blackwood, Algernon
Reincarnation -- Drama
(_Lower._) The rising water. (_Pauses, while passing hand over her
forehead._) Nor do _I_ understand. It is my weakness, I suppose. All
women have something that makes them fear without a reason, and this is
mine----
_Paulo_
(_Protectively._) For which I love you all the more. For had you reasoned
you would not have married me. (_To himself._) Strange, strange.…
(_Recovers gaiety and turns to picture._) See how it grows, Lucia.
All that I scraped out yesterday I have repainted. Long before the
Competition Day I shall have finished it. (_Enthusiastically._) Look!
_Lucia_
The glow, the warmth, the colour--you’ve caught it all?
_Paulo_
I hope so. But when my model _and_ my critic desert me both at once like
this----
_Lucia_
Dear Paulo. (_Sighs._) And it’s so difficult for me to make five scudi do
the work of ten. (_Shows agitation._) I know, oh, I know. (_Excitement._)
Yet somehow, somehow we shall find a way. And it will be wonderful----
_Paulo_
(_Noticing her mood and wondering._) It is you who are
wonderful--(_shakes finger at her_) intriguing with Fate as ever----
_Lucia_
(_Quickly._) No, not intriguing. I am but your wife--and model.
(_Laughs._)
_Paulo_
And inspiration----
_Lucia_
And critic----
_Paulo_
And manager! That is the wonder--that you who fled with a painter to
learn poverty like this (_shows bare room_) and this (_shows clothes_)
and this (_touches heart_) should bargain so cleverly in the market-place
and carry home our fish and vegetables in your coloured apron--the Lady
Lucia, a house-wife of the people!
_Lucia_
Forgetting the wine as usual, and dropping half the fish on my way!
(_Seriously._) Love makes it beautiful. It is for love’s sake, Paulo.
_Paulo_
(_Emphatically._) And the work’s sake.
_Lucia_
(_Quickly._) The work, ah yes, the work’s sake. (_Excitedly._) Oh,
my Paulo, what would I not do--what would I not sacrifice for your
advancement--I mean, for your art, your wonderful great art. (_Confused._)
_Paulo_
(_Quietly._) This shall be our love’s first-fruits (_pointing to canvas_).
_Lucia_
(_Repeats low to herself._) Our love’s first-fruits.
_Paulo_
(_Rapt._) When you and I float over the lagoons as dust upon the
wind--(_turns to her from picture, and lowers voice_) when you and I are
gone--remembered, perhaps, only as Paulo the painter, and Lucia his
inspiration--this beauty--ah, that is my dream--this beauty shall still
shine out for the world.
[_They watch the picture for a moment._
_Lucia_
I fear one thing only for you--poverty. You should have _everything_.
_Paulo_
I have. Everything that matters to an artist, and its name is inspiration.
[_Looks with passionate admiration at her._
_Lucia_
(_With growing agitation._) You left Florence for my sake. But for me,
the great Princes--(_with an effort_) the Medici--would have helped.
_Paulo_
Public-domain text, read in full here on John Shaqi.
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