Karma: A Re-incarnation Play: In Prologue, Epilogue & Three Acts — John Shaqi
Karma: A Re-incarnation Play: In Prologue, Epilogue & Three ActsBlackwood, Algernon
Religion
Karma: A Re-incarnation Play: In Prologue, Epilogue & Three Acts
Blackwood, Algernon
Reincarnation -- Drama
And yet--yes, I came to you an hour ago--as patron. It is true. It was
for his sake and for his great art I came. (_Voice singing outside._) Oh,
I ask no favour now more than a little time to talk with him. That is his
voice. I will persuade him. I will gain his consent, and he will do the
picture for you--for your palace. Leave me, I beg, a few moments with him
alone, and then return--to find--I promise it--the greatest painter in
all Italy----
_Medici_
In all the world.
_Lucia_
Prepared to give you of his best.
[_Clasps her hands and stares into his face._
_Medici_
To have you in my palace so (_admiringly_) is, perhaps, the next best
thing to--have you in my----
_Lucia_
Oh, I implore you. Leave me with him. (_Singing comes very close._) I
promise.
_Medici_
(_Shrugging._) You have chosen the one spell that moves me. Even more
strong than the love of a fair woman is my love of art--its wonder, its
beauty, and its triumph. His picture will outlive even your loveliness.
(_Sighs._) My name and my great palace will remind a later world of me,
and of what I did for beauty. Well, well, my Lady Lucia, you win me
over--for the moment, at any rate. I will stand behind this screen and
listen. I must hear how you persuade genius to abjure its principles!
_Lucia_
(_Firmly._) Then I do nothing. You must first go.
_Medici_
Another “must.” Your self-will is adorable. Upon my word! But I, too,
have a “must”--his work, with yourself as model, on my palace ceiling!
(_Yields with a sarcastic bow._)
[_Exit._
[_LUCIA mounts the model’s throne and stands, arranging her
drapery, as PAULO enters._
_Paulo_
(_Breathless; carries roses._) Only two! They were so dear. I have not
your skill in bargains. (_Holds out roses._) We must make them do.
(_Kisses her._) Have I been very long? I had to go nearly to the Zucca.
_Lucia_
Two roses added to our love makes a whole garden. And one day soon you
shall lack nothing the work needs. (_Tenderly._) Oh, Paulo, beloved, by
rights everything should be yours now. There is not a painter in Italy
who comes near you.
_Paulo_
(_Quietly._) I shall win the Competition. We shall have plenty then.
_Lucia_
(_Lower._) Your art needs it _now_. (_Sighs._) I am so useless to
you--and yet----
_Paulo_
(_Looking._) And yet--? Lucia, this anxiety, this nervousness is strange
to you. You use unaccustomed words. “Useless”! What can you mean?
_Lucia_
You would never be angry--you would not scold me, no matter what I might
do--for your work’s sake?
_Paulo_
(_Passionately._) You have such darling moods. I love you. The work
is ours, not mine. (_Caresses her._) I understand so well. It is your
love that makes you tremble for the work’s sake: the picture grows, the
Competition Day comes nearer. It’s like the sea-tides rising--it affects
you--_I_ understand!
_Lucia_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account