Kate Aylesford: A Story of the RefugeesPeterson, Charles J. (Charles Jacobs)
History
Kate Aylesford: A Story of the Refugees
Peterson, Charles J. (Charles Jacobs)
Historical fiction; New Jersey -- History -- Revolution, 1775-1783 -- Fiction; Pine Barrens (N.J.) -- Fiction
But little cared the crowd of guests for the storm. A spirited contest
was going on between two dancers, who, after having often been engaged
in temporary trials of skill during the evening, had now apparently
entered on a decisive struggle. One was a short, square-built sailor, in
a pair of canvass trowsers thickly besprinkled with tar. He wore a
tarpaulin on his head, and sported, in the fashion of the day, an
immense queue behind, which, as he danced, worked up and down on his
back like an iron pump-handle. His antagonist was a tall, lank
countryman, with a body disproportionately small, legs that looked like
a pair of stilts, and arms that, swinging in tune to his double-shuffle,
resembled those of a windmill revolving without their sails. His yellow
hair hung down lank all around his face. He had thrown off his coat, and
now stood in his original shirtsleeves, with a deep waistcoat that
reached almost to his knees. A pair of pinch-beck seals, attached to an
enormous watch that was his especial pride, being almost the only one in
his neighborhood, bobbed heavily up and down against his baggy breeches;
while a few copper farthings jingled ostentatiously in his pockets, as
he went vigorously through the figures of that time-honored dance, which
is known to the initiated as a “Jersey Four.”
“Keep it up, Jack,” shouted the friends of the tar, and “Go it,
Lively!” answered the backers of the other party; while the spectators
laughed, clapped their hands, and kept time to the music; the fiddler
nodded his head in sympathy with the motion; and the two rivals did
their best to satisfy their patrons and win the laurels they coveted.
The sailor danced away as stoutly as if worked by machinery, his feet,
hands, limbs and portly paunch moving neither faster nor slower: it
seemed for a while, as if he could continue to dance in the same
impassive way forever, if necessary. The countryman, however, was less
phlegmatic. Occasionally, the vigor of his saltatory action would fall
perceptibly off, but becoming aware of this by some observation from the
crowd, or through his own consciousness, he would suddenly give himself
a jerk, as if his whole body had been moved, all at once, by pulling a
string; and then away he would go, in and out, around and back, dancing
to his partner as if life and death depended on his agility, his arms
swinging, his legs going, and the perspiration rolling from his face.
“Jack’s got enough; he’s giving out,” cried one of the landsmen,
triumphantly calling attention to the tar, after the countryman had,
with another jerk, started off apparently as fresh as ever. “He’s
blowing like a porpoise. Hoe it down right smart, Jim, and you have him.
Hurrah for _Jarsey_!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account