"True, true," he replied, "yet I am very happy. Then, at my age,
a placid routine, unexciting, and calm, is naturally congenial; I
sometimes wish for a little more fellow-feeling on particular points
than Winter or even Gilpin can offer me. Kate is generally a great
sympathiser, but I confess, my dear Egerton, that a little chat with
you on old times and topics does me infinite good."
"Captain Egerton says he will come back soon again, grandpapa, and
bring me some sketches he has of dear Dungar."
"A treasure trove, Kate! But must you leave us so immediately?"
"I regret to say my leave expires to-morrow evening; I must return to
Carrington, but will take the last train, half-past eight I think; and
now I will say good-bye until this evening, Colonel. I want to get a
few more outlines into my portfolio before Mrs. Winter's hot cakes are
ready. _Au revoir_, Miss Vernon."
The Colonel and Cormac accompanied me to the door, which Nurse opened
with a gracious smile. "Not a step further, Colonel Vernon, you are
fatigued; Mrs. O'Toole, I commend the Colonel to your care, adieu."
And as I walked away I heard confused and glowing eulogiums pronounced
by Mrs. O'Toole on some person or persons unknown, in which she seemed
to dwell particularly on the facility of distinguishing between "The
rale ould ancient stock, and ye'r musherooms," terms of approbation my
vanity somehow or other appropriated, though the connection was by no
means clear.
With military punctuality I was raising the well burnished brass
knocker which adorned Winter's door as the cathedral clock chimed six.
A trim little damsel answered the summons, and informed me with a
rather frightened air, that "Missis was in." She ushered me up stairs
to a large, handsomely furnished room, where sat Mrs. Winter in the
identical cap she had worn at the ball. I could have sworn to it in any
court in the kingdom.
She received me with the slight nervousness of manner I had before
observed, but we had hardly exchanged salutations when Winter appeared,
and carried me off to his studio. "While there was any light," he
said, "it was well worth a visit." Studies of trees in every season,
architectural drawings of great beauty, rugged old men and women, rosy
chubby children, some few strong deep subjects--a mine of pictorial
wealth; and the grand characteristic of each and all was truth; nothing
seemed beneath his pencil, nor a single object misplaced on his canvas.
I felt that a glance at his studio revealed the man more than the most
elaborate description of his character could have done. I began to
understand his views of imagination.
Public-domain text, read in full here on John Shaqi.
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