Katerfelto: A Story of ExmoorWhyte-Melville, G. J. (George John)
General
Katerfelto: A Story of Exmoor
Whyte-Melville, G. J. (George John)
Exmoor (England) -- Fiction
"Hurrah!" continued the vocalist, who had lost his hat, waving a scratch
wig round his bare scalp with an abortive attempt to cheer. "King
Nabu--Nabu--cho--donosor was a mighty man"--shaking his head with
unimpaired solemnity--"a mighty man, no doubt,
'_But_ John Wilkes he was for Middlesex,
And they chose him for knight of the shire.'
Hip, hip--Hurrah!"
A burst of laughter rang from the party in the tavern, and a gentleman
in a laced waistcoat shut down the window after throwing out a
crown-piece to the singer in the street.
Night was falling, the air felt chilly, though it was summer, and the
party, who had drank several bottles of port, gathered round the fire
over a steaming bowl of punch.
They were of all ages between twenty and fifty. One of them wore a wig,
another powder, a third had brushed his luxuriant hair to the poll of
his neck and tied it in a plain black bow. Their long-waisted coats were
cut to an ample width at skirt and sleeves; their waistcoats heavily
bound with lace. Knots of ribbon adorned the knees of their breeches,
their shoes were fastened with buckles, and each man carried sword and
snuff-box. To drink, to fence, to "lug out" as it was called, on slight
provocation, to sing a good song, tell a broad story, and spill a deal
of snuff in its recital, were, at this period, the necessary
accomplishments of a gentleman.
The room in which these worthies had assembled seemed more comfortable
than luxurious. Its bare floor was sanded, and the chairs, long-legged,
high-backed and narrow-seated, were little suggestive of repose, but the
mahogany table had been rubbed till it shone like glass, the wood-fire
blazed and crackled, lighting up the crimson hangings that festooned the
windows, and though the candles were but tallow, there flared enough of
them to bring into relief a few pictures with which the unpapered walls
were hung. These works of art, being without exception of a sporting
tendency, were treated in a realistic style, and seemed indeed to have
been painted by the same master:--A fighting-cock, spurred, trimmed, and
prepared for battle, standing on the very tip-toe of defiance. A horse
with a preternaturally small head, and the shortest possible tail,
galloping over Newmarket Heath, to win, as set forth in large print
below, "a match or plate of the value of fifty guineas." The portrait of
a celebrated prize-fighter, armed with a broadsword, of a noted boxer in
position, stripped to the waist. Lastly, an ambitious composition,
consisting of scarlet frocks, jack-boots, cocked hats, tired horses and
baying hounds, grouped round a central figure brandishing a dead fox,
and labelled "The Victory of obtaining the Brush."
Public-domain text, read in full here on John Shaqi.
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