"Yes, he need not tell me that he loves me!" I thought, now vividly recalling this conversation. "He does love me, and I know it. And all his efforts to seem indifferent cannot take away this conviction!" During the whole evening he said very little to me, but in every word, in every look and motion, I felt love, and no longer had any doubts. The only thing that vexed and troubled me was that he should still judge it necessary to conceal this feeling, and to feign coldness, when already all was so clear, and we might have been so easily and so frankly happy almost beyond the verge of possibility. Then, too, I was tormenting myself as though I had committed a crime, for having jumped down into the cherry orchard to join him, and it seemed as if he must have ceased to esteem me, and must feel resentment against me. After tea, I went to the piano, and he followed. "Play something, Katia, I have not heard you for a long time," he said, joining me in the drawing-room. "I wished ... Sergius Mikaïlovitch!" And suddenly I looked right into his eyes. "You are not angry with me?" "Why should I be?" "Because I did not obey you this afternoon," said I, blushing. He understood me, shook his head, and smiled. And this smile said that perhaps he would willingly have scolded me a little, but had no longer the strength to do so. "That is done with, then, isn't it? And we are good friends again?" I asked, seating myself at the piano. "I think so, indeed!" The large, lofty apartment was lighted, only by the two candles upon the piano, and the greater portion of it was in semi-darkness; through the open windows we beheld the luminous stillness of the summer night. The most perfect calm reigned, only broken at intervals by Macha's footfall in the adjoining room, which was not yet lighted, or by an occasional restless snort or stamp from our visitor's horse, which was tied under one of the casements. Sergius Mikaïlovitch was seated behind me, so that I could not see him, but in the imperfect darkness of the room, in the soft notes that filled it, in the very depths of my being, I seemed to feel his presence. Every look, every movement, though I could not distinguish them, seemed to enter and echo in my heart. I was playing Mozart's Caprice-sonata, which he had brought me, and which I had learned before him and for him. I was not thinking at all of what I played, but I found that I was playing well and thought he was pleased. I shared his enjoyment, and without seeing him, I knew that from his place his eyes were fixed on me. By a quite involuntary movement, while my fingers continued to run over the keys, unconscious of what they were doing, I turned and looked at him; his head stood out in dark relief against the luminous background of the night. He was sitting with his brow resting on his hand, watching me attentively with sparkling eyes. As mine met them, I smiled, and stopped playing. He smiled also, and