Man-woman relationships -- Fiction; Marriage -- Fiction; Russia -- Social life and customs -- 19th century -- Fiction
When the horses were ready, I entered the droschky, accompanied by Macha
or a maid-servant, and drove about three versts to church. In entering
the church, I never failed to remember that we pray there for all those
"who enter this place in the fear of God," and I strove to rise to the
level of this thought, above all when my feet first touched the two
grass-grown steps of the porch. At this hour there were not usually in
the church more than ten or a dozen persons, peasants and droroviés,
preparing to make their devotions; I returned their salutations with
marked humility, and went myself, (which I regarded as an act of
superior merit,) to the drawer where the wax tapers were kept, received
a few from the hand of the old soldier who performed the office of
staroste,[D] and placed them before the images. Through the door of the
sanctuary I could see the altar-cloth Mamma had embroidered, and above
the iconstase[E] two angels spangled with stars, which I had considered
magnificent when I was a little girl; and a dove surrounded by a gilded
aureole which, at that same period, often used to absorb my attention.
Behind the choir I caught a glimpse of the embossed fonts near which I
had so often held the children of our droroviés, and where I myself had
received baptism. The old priest appeared, wearing a chasuble cut from
cloth which had been the pall of my father's coffin, and he intoned the
service in the same voice which, as far back as I could remember, had
chanted the offices of the Church at our house, at Sonia's baptism, at
my father's funeral service, at my mother's burial. In the choir I heard
the familiar cracked voice of the precentor; I saw, as I had always seen
her, a certain old woman, almost bent double, who came to every service,
leaned her back against the wall, and, holding her faded handkerchief in
her tightly clasped hands, gazed with eyes full of tears at one of the
images in the choir, mumbling I knew not what prayers with her toothless
mouth. And all these objects, all these beings,--it was not mere
curiosity or reminiscence which brought them so near to me; all seemed
in my eyes great and holy, all were full of profound meaning.
I lent an attentive ear to every word of the prayers I heard read, I
endeavored to bring my feelings into accord with them, and if I did not
comprehend them, I mentally besought God to enlighten me, or substituted
a petition of my own for that which I had not understood. When the
penitential prayers were read, I recalled my past, and this past of my
innocent childhood appeared to me so black in comparison with the state
of serenity in which my soul was, at this time, that I wept over myself,
terrified; yet I felt that all was forgiven me, and that even if I had
had many more faults to reproach myself with, repentance would only have
been all the sweeter to me.
Public-domain text, read in full here on John Shaqi.
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