Man-woman relationships -- Fiction; Marriage -- Fiction; Russia -- Social life and customs -- 19th century -- Fiction
"He is taking very useless trouble!" I said to myself, "can it be
possible that he thinks he is giving me too great a pleasure by looking
at me!--An excellent man--Perfectly good.... But that is all."
We remained awake a long time that night talking, not of him, but of the
employment of the ensuing summer, of where and how we should spend the
winter. Mighty question, yet why? To me it appeared perfectly simple and
evident that life was to consist in being happy, and in the future I
could imagine nothing but happiness, so suddenly had our sombre old
dwelling at Pokrovski filled itself with life and light.
CHAPTER II.
The spring came. My former ennui had disappeared, and in exchange I felt
the dreamy vernal sadness, woven of unknown hopes and unslaked desires.
But my life was no longer the existence I had led during the early
winter; I occupied myself with Sonia, with music, with studies, and I
often went into the garden, to spend a long, long, time in wandering
alone through the shady walks, or in sitting motionless upon some quiet
bench. God knows what I was thinking, what I was wishing, what I was
hoping! Sometimes for whole nights, especially if it was moonlight, I
would remain kneeling at my window with my elbows on the sill; morning
would find me there; and sometimes, without Macha's knowing it, I would
steal down into the garden again after I was in my simple night-dress,
and fly through the dew to the little pond; once I even went out into
the fields, and spent the rest of the night roaming alone about the
park.
Now it is difficult for me to recall, still less to comprehend, the
reveries which at this period filled my imagination. If I can succeed in
remembering them, I can hardly believe that these reveries were my own,
so strange were they, so outside of real life.
At the end of May, Sergius Mikaïlovitch, as he had promised, returned
from his journey.
Public-domain text, read in full here on John Shaqi.
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