Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
When he came down from these heights of feeling, and brought himself
soberly to face the facts of his existence, Keats felt himself compelled,
in those days while he was producing, 'out of the mere yearning and
fondness he had for the beautiful,' poem after poem that are among the
treasures of the English language, to consider whether as a practical
matter he could or ought to continue to apply himself to literature at
all. In spite of his magnanimous first reception of the _Blackwood_ and
_Quarterly_ gibes, we can see that as time went on he began more and more
to feel both his pride wounded and his prospects darkened by them.
Reynolds had hit the mark, as to the material harm which the reviews were
capable of inflicting, when he wrote the year before:--"Certain it is,
that hundreds of fashionable and flippant readers will henceforth set down
this young poet as a pitiable and nonsensical writer, merely on the
assertions of some single heartless critic, who has just energy enough to
despise what is good." Such in fact was exactly the reputation which
_Blackwood_ and the _Quarterly_ had succeeded in making for Keats, except
among a small private circle of admirers. Of praise and the thirst for
praise he continues to speak in as manly and sane a tone as ever;
especially in the two sonnets _On Fame_; and in the _Ode to Indolence_
declares--
"For I would not be dieted with praise,
A pet-lamb in a sentimental farce."
Again in the same ode, he speaks of his 'demon Poesy' as 'a maiden most
unmeek,' whom he loves the better the more blame is heaped on her. At the
same time he shows his sense of the practical position which the reviews
had made for him when he writes to his brother:--"These reviews are
getting more and more powerful, especially the 'Quarterly'.... I was in
hopes that as people saw, as they must do, all the trickery and iniquity
of these plagues, they would scout them; but no; they are like the
spectators at the Westminster cockpit, and do not care who wins or loses."
And as a consequence he adds presently, "I have been, at different times,
turning it in my head whether I should go to Edinburgh and study for a
physician. I am afraid I should not take kindly to it; I am sure I could
not take fees; and yet I should like to do so; it is not worse than
writing poems, and hanging them up to be fly-blown on the Review
shambles." A little later he mentions to his sister Fanny an idea he has
of taking a voyage or two as surgeon on board an East Indiaman. But Brown,
more than ever impressed during these last months with the power and
promise of his friend's genius, would not hear of this plan, and persuaded
him to abandon it and throw himself again upon literature. Keats being for
the moment unable to get at any of his money, Brown advanced him enough to
live on through the summer; and it was agreed that he should go and work
in the country, and that Brown should follow him.
Public-domain text, read in full here on John Shaqi.
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