Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
An acquaintance more interesting to posterity which Keats made a few
months later, at Leigh Hunt's, was that of Shelley, his senior by only
three years. During the harrowing period of Shelley's life which followed
the suicide of his first wife--when his principle of love a law to itself
had in action entailed so dire a consequence, and his obedience to his
own morality had brought him into such harsh collision with the
world's--the kindness and affection of Leigh Hunt were among his chief
consolations. After his marriage with Mary Godwin, he flitted often, alone
or with his wife, between Great Marlow and Hampstead, where Keats met him
early in the spring of 1817. "Keats," says Hunt, did not take to Shelley
as kindly as Shelley did to him, and adds the comment: "Keats, being a
little too sensitive on the score of his origin, felt inclined to see in
every man of birth a sort of natural enemy." "He was haughty, and had a
fierce hatred of rank," says Haydon in his unqualified way. Where his
pride had not been aroused by anticipation, Keats had a genius for
friendship, but towards Shelley we find him in fact maintaining a tone of
reserve, and even of something like moral and intellectual patronage: at
first, no doubt, by way of defence against the possibility of social or
material patronage on the other's part: but he should soon have learnt
better than to apprehend anything of the kind from one whose delicacy,
according to all evidence, was as perfect and unmistakeable as his
kindness. Of Shelley's kindness Keats had in the sequel sufficient proof:
in the meantime, until Shelley went abroad the following year, the two met
often at Hunt's without becoming really intimate. Pride and social
sensitiveness apart, we can imagine that a full understanding was not easy
between them, and that Keats, with his strong vein of every-day humanity,
sense, and humour, and his innate openness of mind, may well have been as
much repelled as attracted by the unearthly ways and accents of Shelley,
his passionate negation of the world's creeds and the world's law, and his
intense proselytizing ardour.
Public-domain text, read in full here on John Shaqi.
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