Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
The mother's passion for her firstborn son was devotedly returned by him.
Once as a young child, when she was ordered to be left quiet during an
illness, he is said to have insisted on keeping watch at her door with an
old sword, and allowing no one to go in. Haydon, an artist who loved to
lay his colours thick, gives this anecdote of the sword a different
turn:--"He was when an infant a most violent and ungovernable child. At
five years of age or thereabouts, he once got hold of a naked sword and
shutting the door swore nobody should go out. His mother wanted to do so,
but he threatened her so furiously she began to cry, and was obliged to
wait till somebody through the window saw her position and came to the
rescue." Another trait of the poet's childhood, mentioned also by Haydon,
on the authority of a gammer who had known him from his birth, is that
when he was first learning to speak, instead of answering sensibly, he had
a trick of making a rhyme to the last word people said and then laughing.
The parents were ambitious for their boys, and would have liked to send
them to Harrow, but thinking this beyond their means, chose the school
kept by the Rev. John Clarke at Enfield. The brothers of Mrs Keats had
been educated here, and the school was one of good repute, and of
exceptionally pleasant aspect and surroundings. Traces of its ancient
forest character lingered long, and indeed linger yet, about the
neighbourhood of the picturesque small suburban town of Enfield, and the
district was one especially affected by City men of fortune for their
homes. The school-house occupied by Mr Clarke had been originally built
for a rich West-India merchant, in the finest style of early Georgian
classic architecture, and stood in a pleasant and spacious garden at the
lower end of the town. When years afterwards the site was used for a
railway station, the old house was for some time allowed to stand: but
later it was taken down, and the façade, with its fine proportions and
rich ornaments in moulded brick, was transported to the South Kensington
Museum as a choice example of the style.
Public-domain text, read in full here on John Shaqi.
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