HYPERION. BOOK II 167
HYPERION. BOOK III 191
NOTE ON ADVERTISEMENT 201
INTRODUCTION TO LAMIA 201
NOTES ON LAMIA 203
INTRODUCTION TO ISABELLA AND THE EVE OF ST. AGNES 210
NOTES ON ISABELLA 215
NOTES ON THE EVE OF ST. AGNES 224
INTRODUCTION TO THE ODE TO A NIGHTINGALE, ODE ON A GRECIAN
URN, ODE ON MELANCHOLY, AND TO AUTUMN 229
NOTES ON ODE TO A NIGHTINGALE 232
NOTES ON ODE ON A GRECIAN URN 235
INTRODUCTION TO ODE TO PSYCHE 236
NOTES ON ODE TO PSYCHE 237
INTRODUCTION TO FANCY 238
NOTES ON FANCY 238
NOTES ON ODE ['Bards of Passion and of Mirth'] 239
INTRODUCTION TO LINES ON THE MERMAID TAVERN 239
NOTES ON LINES ON THE MERMAID TAVERN 239
INTRODUCTION TO ROBIN HOOD 240
NOTES ON ROBIN HOOD 241
NOTES ON 'TO AUTUMN' 242
NOTES ON ODE ON MELANCHOLY 243
INTRODUCTION TO HYPERION 244
NOTES ON HYPERION 249
LIFE OF KEATS
Of all the great poets of the early nineteenth century--Wordsworth,
Coleridge, Scott, Byron, Shelley, Keats--John Keats was the last born
and the first to die. The length of his life was not one-third that of
Wordsworth, who was born twenty-five years before him and outlived him
by twenty-nine. Yet before his tragic death at twenty-six Keats had
produced a body of poetry of such extraordinary power and promise that
the world has sometimes been tempted, in its regret for what he might
have done had he lived, to lose sight of the superlative merit of what
he actually accomplished.
The three years of his poetic career, during which he published three
small volumes of poetry, show a development at the same time rapid and
steady, and a gradual but complete abandonment of almost every fault and
weakness. It would probably be impossible, in the history of literature,
to find such another instance of the 'growth of a poet's mind'.
The last of these three volumes, which is here reprinted, was published
in 1820, when it 'had good success among the literary people and . . . a
moderate sale'. It contains the flower of his poetic production and is
perhaps, altogether, one of the most marvellous volumes ever issued from
the press.
Public-domain text, read in full here on John Shaqi.
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