Keeping Up with William: In which the Honorable Socrates Potter Talks of the Relative Merits of Sense Common and PreferredBacheller, Irving
Philosophy
Keeping Up with William: In which the Honorable Socrates Potter Talks of the Relative Merits of Sense Common and Preferred
Bacheller, Irving
World War, 1914-1918
“I have traveled much these late years and have failed to find an
American city in which there was not one or more plays or moving
pictures which reflected the morals of the swine-yard. There I have
found girls and boys and children who are to make the life of America,
drinking at the fountain of pollution, cleverly designed by the sex
maniacs who live in the white lights of Broadway. On every sort of
specious pretext--mostly that of warning the young--spaniel youths
and porcelain-faced daughters of iniquity are paraded in libidinous
enterprises. The cabarets and brothels of New York, with their fist
fights between young women, their desperate, bull-dog encounters between
sex maniacs, their ogling, besotted degenerates, sometimes with a
lame pretense of a moral and sometimes without it, are shown for the
entertainment of young America.
“The Huns have already invaded America, my friend. They are armed with
things more deadly than guns and bullets. Their gun is the camera, their
ammunition, the moving picture. That picture penetrates to the heart
and soul of the young and no surgery can remove it. To them, seeing is
believing.
“A man is mostly the sum of his memories. Think back and tell me what
you remember of your childhood. It's the pictures you saw. I think the
first thing I remember is the picture of a cat which my mother drew on a
slate for me--a highly benevolent cat it was. The one I have remembered
best is that of my mother standing in the morning sunlight among the
hollyhocks by the open door and waving her handkerchief to me the day I
went away to school. How often it has flashed out of my memory in these
last forty years. There is no power like that of a picture for good or
evil in the life of a child. Pictures are, indeed, the universal
language of childhood.
“Now what is there in this special claim of the sex mongers that the
truth about life--however hideous and revolting it may be--would best
be known of all? Just this--it should be made known but not publicly in
books and theaters. It should not be made a familiar thing--sitting at
meat and lying down in bed with the sensitive imagination of the young.
That will be sure to make it the one great truth of life. I prefer
the privacy of home and the loving caution of a mother, taking care to
impart the whole truth with its setting of perils and with no glamour
of romance about it. I would as soon have my daughter's feet enter a
brothel as her brain. She might shake the dust from her feet.
Public-domain text, read in full here on John Shaqi.
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