Kemps Nine Daies Wonder: Performed in a Daunce from London to Norwich — John Shaqi
Kemps Nine Daies Wonder: Performed in a Daunce from London to NorwichKemp, William, active 1600
General
Kemps Nine Daies Wonder: Performed in a Daunce from London to Norwich
Kemp, William, active 1600
Dance -- England; Morris dance
P. 7, l. 9, points.]--tagged laces.
P. 7, l. 9, being my ordinary marchandize, that I put out to venter
for performance of my merry voyage.]--This "marchandize" was instead of
a deposit in money: but we learn from a passage towards the end of the
tract (p. 19), that our Morrice-dancer had also "put out some money to
have threefold gain at his return,"--it being then a common custom for
those who undertook expeditions to put out sums of money on condition of
receiving them back trebled, quadrupled, or quintupled, at the
completion of the voyages or journies. Kemp (_ibid._) complains that the
greater number of those with whom he had deposited money would not
"willingly be found:" compare _A Kicksey Winsey, or, A Lerry
Come-twang; Wherein John Taylor hath Satyrically suted seuen hundred and
fifty of his bad debtors, that will not pay him for his returne of his
iourney from Scotland_. Taylor the Water-poet's _Workes_, 1630, p. 36.
P. 7, l. 26, bels.]--"The number of bells round each leg of the
morris-dancers amounted from twenty to forty. They had various
appellations, as the fore-bell, the second bell, the treble, the tenor,
the base, and the double-bell. Sometimes they used trebles only; but
these refinements were of later times. The bells were occasionally
jingled by the hands, or placed on the arms or wrists of the
parties."--Douce's _Illust. of Shakespeare_, ii. 475. The same writer
mentions that in the time of Henry the Eighth the Morris-dancers had
"garters to which bells were attached," 473.
P. 7, l. 26, the olde fashion, with napking on her armes.]--"The
handkerchiefs, or napkins, as they are sometimes called, were held in
the hand, or tied to the shoulders." Douce, _ubi supra_, 475.
P. 8, l. 8, The hobby-horse quite forgotten.]--When the present tract
was written, the Puritans, by their preachings and invectives, had
succeeded in banishing this prominent personage from the Morris-dance,
as an impious and pagan superstition. The expression in our text seems
to have been almost proverbial; besides the well-known line cited in
Shakespeare's _Hamlet_, Act iii. sc. 2, (and in his _Love's Labours
Lost_, Act iii. sc. 1.)
"For, O, for, O, the hobby-horse is forgot,"
parallel passages are to be found in various other early dramas. As the
admirable scene in Sir Walter Scott's _Abbot_, I. ch. xiv. (_Wav.
Novels_, xx.) must be familiar to every reader, a description of the
hobby-horse is unnecessary.
P. 8, l. 23, plash.]--pool.
P. 10, l. 15, blee.]--complexion, countenance.
P. 10, l. 27, hey de gay.]--See note, p. 26.
P. 11, l. 25, the Lord Chiefe Justice.]--Sir John Popham: he was
appointed Chief Justice of the King's Bench in 1592.
Public-domain text, read in full here on John Shaqi.
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