Kenelm Chillingly — Volume 02Lytton, Edward Bulwer Lytton, Baron
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Kenelm Chillingly — Volume 02
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Tom's face worked: but at last he growled, "Well, I promise; that is,
if he beats me."
"All right," said Kenelm. "You hear, neighbours; and Tom Bowles could
not show that handsome face of his among you if he broke his word.
Shake hands on it."
Fighting Tom sulkily shook hands.
"Well now, that's what I call English," said Kenelm, "all pluck and no
malice. Fall back, friends, and leave a clear space for us."
The men all receded; and as Kenelm took his ground, there was a supple
ease in his posture which at once brought out into clearer evidence
the nervous strength of his build, and, contrasted with Tom's bulk of
chest, made the latter look clumsy and topheavy.
The two men faced each other a minute, the eyes of both vigilant and
steadfast. Tom's blood began to fire up as he gazed; nor, with all
his outward calm; was Kenelm insensible of that proud beat of the
heart which is aroused by the fierce joy of combat. Tom struck out
first and a blow was parried, but not returned; another and another
blow,--still parried, still unreturned. Kenelm, acting evidently on
the defensive, took all the advantages for that strategy which he
derived from superior length of arm and lighter agility of frame.
Perhaps he wished to ascertain the extent of his adversary's skill, or
to try the endurance of his wind, before he ventured on the hazards of
attack. Tom, galled to the quick that blows which might have felled
an ox were thus warded off from their mark, and dimly aware that he
was encountering some mysterious skill which turned his brute strength
into waste force and might overmaster him in the long run, came to a
rapid conclusion that the sooner he brought that brute strength to
bear the better it would be for him. Accordingly, after three rounds,
in which without once breaking the guard of his antagonist he had
received a few playful taps on the nose and mouth, he drew back and
made a bull-like rush at his foe,--bull-like, for it butted full at
him with the powerful down-bent head, and the two fists doing duty as
horns. The rush spent, he found himself in the position of a man
milled. I take it for granted that every Englishman who can call
himself a man--that is, every man who has been an English boy, and, as
such, been compelled to the use of his fists--knows what a "mill" is.
But I sing not only "pueris," but "virginibus." Ladies, "a
mill,"--using with reluctance and contempt for myself that slang in
which ladywriters indulge, and Girls of the Period know much better
than they do their Murray,--"a mill,"--speaking not to ladywriters,
not to Girls of the Period, but to innocent damsels, and in
explanation to those foreigners who only understand the English
language as taught by Addison and Macaulay,--a "mill" periphrastically
means this: your adversary, in the noble encounter between fist and
fist, has so plunged his head that it gets caught, as in a vice,
between the side and doubled left arm of the adversary, exposing that
Public-domain text, read in full here on John Shaqi.
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