Kenelm Chillingly — Volume 03Lytton, Edward Bulwer Lytton, Baron
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Kenelm Chillingly — Volume 03
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Cecilia felt the beating of her heart, upon which lay the moth
concealed. Did she think that a deeper and more tender meaning than
they outwardly expressed was couched in these words? If so, she
erred. They now neared the garden gate, and Kenelm paused as he
opened it. "See," he said, "the moon has just risen over those dark
firs, making the still night stiller. Is it not strange that we
mortals, placed amid perpetual agitation and tumult and strife, as if
our natural element, conceive a sense of holiness in the images
antagonistic to our real life; I mean in images of repose? I feel at
the moment as if I suddenly were made better, now that heaven and
earth have suddenly become yet more tranquil. I am now conscious of a
purer and sweeter moral than either I or you drew from the insect you
have sheltered. I must come to the poets to express it,--
"'The desire of the moth for the star,
Of the night for the morrow;
The devotion to something afar
From the sphere of our sorrow.'
"Oh, that something afar! that something afar! never to be reached on
this earth,--never, never!"
There was such a wail in that cry from the man's heart that Cecilia
could not resist the impulse of a divine compassion. She laid her
hand on his, and looked on the dark wildness of his upward face with
eyes that Heaven meant to be wells of comfort to grieving man. At the
light touch of that hand Kenelm started, looked down, and met those
soothing eyes.
"I am happy to tell you that I have saved my Durham," cried out Mr.
Travers from the other side of the gate.
CHAPTER XX.
AS Kenelm that night retired to his own room, he paused on the
landing-place opposite to the portrait which Mr. Travers had consigned
to that desolate exile. This daughter of a race dishonoured in its
extinction might well have been the glory of the house she had entered
as a bride. The countenance was singularly beautiful, and of a
character of beauty eminently patrician; there was in its expression a
gentleness and modesty not often found in the female portraits of Sir
Peter Lely, and in the eyes and in the smile a wonderful aspect of
innocent happiness.
Public-domain text, read in full here on John Shaqi.
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