Mr. CHILLINGLY MIVERS never gave a dinner at his own rooms. When he did give a dinner it was at Greenwich or Richmond. But he gave breakfast-parties pretty often, and they were considered pleasant. He had handsome bachelor apartments in Grosvenor Street, daintily furnished, with a prevalent air of exquisite neatness, a good library stored with books of reference, and adorned with presentation copies from authors of the day, very beautifully bound. Though the room served for the study of the professed man of letters, it had none of the untidy litter which generally characterizes the study of one whose vocation it is to deal with books and papers. Even the implements for writing were not apparent, except when required. They lay concealed in a vast cylinder bureau, French made, and French polished. Within that bureau were numerous pigeon-holes and secret drawers, and a profound well with a separate patent lock. In the well were deposited the articles intended for publication in "The Londoner," proof-sheets, etc.; pigeon-holes were devoted to ordinary correspondence; secret drawers to confidential notes, and outlines of biographies of eminent men now living, but intended to be completed for publication the day after their death. No man wrote such funeral compositions with a livelier pen than that of Chillingly Mivers; and the large and miscellaneous circle of his visiting acquaintances allowed him to ascertain, whether by authoritative report or by personal observation, the signs of mortal disease in the illustrious friends whose dinners he accepted, and whose failing pulses he instinctively felt in returning the pressure of their hands; so that he was often able to put the finishing-stroke to their obituary memorials days, weeks, even months, before their fate took the public by surprise. That cylinder bureau was in harmony with the secrecy in which this remarkable man shrouded the productions of his brain. In his literary life Mivers had no "I," there he was ever the inscrutable, mysterious "We." He was only "I" when you met him in the world, and called him Mivers. Adjoining the library on one side was a small dining or rather breakfast room, hung with valuable pictures,--presents from living painters. Many of these painters had been severely handled by Mr. Mivers in his existence as "We,"--not always in "The Londoner." His most pungent criticisms were often contributed to other intellectual journals conducted by members of the same intellectual clique. Painters knew not how contemptuously "We" had treated them when they met Mr. Mivers. His "I" was so complimentary that they sent him a tribute of their gratitude.