Kenelm Chillingly — Volume 04Lytton, Edward Bulwer Lytton, Baron
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Kenelm Chillingly — Volume 04
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Newspaper essayists assert that the young men of the day are to blame
for this; that the young men like it; and the fair husband-anglers
dress their flies in the colours most likely to attract a nibble.
Whether this excuse be the true one I cannot pretend to judge; but it
strikes me that the men about my own age who affect to be fast are a
more languid race than the men from ten to twenty years older, whom
they regard as /slow/. The habit of dram-drinking in the morning is a
very new idea, an idea greatly in fashion at the moment. Adonis calls
for a "pick-me-up" before he has strength enough to answer a
/billet-doux/ from Venus. Adonis has not the strength to get nobly
drunk, but his delicate constitution requires stimulants, and he is
always tippling.
The men of high birth or renown for social success belonging, my dear
father, to your time, are still distinguished by an air of good
breeding, by a style of conversation more or less polished and not
without evidences of literary culture, from men of the same rank in my
generation, who appear to pride themselves on respecting nobody and
knowing nothing, not even grammar. Still we are assured that the
world goes on steadily improving. /That/ new idea is in full vigour.
Society in the concrete has become wonderfully conceited as to its own
progressive excellences, and the individuals who form the concrete
entertain the same complacent opinion of themselves. There are, of
course, even in my brief and imperfect experience, many exceptions to
what appear to me the prevalent characteristics of the rising
generation in "society." Of these exceptions I must content myself
with naming the most remarkable. /Place aux dames/, the first I name
is Cecilia Travers. She and her father are now in town, and I meet
them frequently. I can conceive no civilized era in the world which a
woman like Cecilia Travers would not grace and adorn, because she is
essentially the type of woman as man likes to imagine woman; namely,
on the fairest side of the womanly character. And I say "woman"
rather than "girl," because among "Girls of the Period" Cecilia
Travers cannot be classed. You might call her damsel, virgin, maiden,
but you could no more call her girl than you could call a well-born
French demoiselle /fille/. She is handsome enough to please the eye
of any man, however fastidious, but not that kind of beauty which
dazzles all men too much to fascinate one man; for--speaking, thank
Heaven, from mere theory--I apprehend that the love for woman has in
it a strong sense of property; that one requires to individualize
one's possession as being wholly one's own, and not a possession which
all the public are invited to admire. I can readily understand how a
rich man, who has what is called a show place, in which the splendid
rooms and the stately gardens are open to all inspectors, so that he
has no privacy in his own demesnes, runs away to a pretty cottage
Public-domain text, read in full here on John Shaqi.
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