Kenelm Chillingly — Volume 05Lytton, Edward Bulwer Lytton, Baron
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Kenelm Chillingly — Volume 05
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Mrs. Braefield paused a moment before she answered, and yet the answer
was brief enough not to need much consideration. "She is a Miss
Mordaunt, an orphan; and, as I before told you, resides with her aunt,
Mrs. Cameron, a widow. They have the prettiest cottage you ever saw
on the banks of the river, or rather rivulet, about a mile from this
place. Mrs. Cameron is a very good, simple-hearted woman. As to
Lily, I can praise her beauty only with safe conscience, for as yet
she is a mere child,--her mind quite unformed."
"Did you ever meet any man, much less any woman, whose mind was
formed?" muttered Kenelm. "I am sure mine is not, and never will be
on this earth."
Mrs. Braefield did not hear this low-voiced observation. She was
looking about for Lily; and perceiving her at last as the children who
surrounded her were dispersing to renew the dance, she took Kenelm's
arm, led him to the young lady, and a formal introduction took place.
Formal as it could be on those sunlit swards, amidst the joy of summer
and the laugh of children. In such scene and such circumstance
formality does not last long. I know not how it was, but in a very
few minutes Kenelm and Lily had ceased to be strangers to each other.
They found themselves seated apart from the rest of the merry-makers,
on the bank shadowed by lime-trees; the man listening with downcast
eyes, the girl with mobile shifting glances now on earth, now on
heaven, and talking freely; gayly,--like the babble of a happy stream,
with a silvery dulcet voice and a sparkle of rippling smiles.
No doubt this is a reversal of the formalities of well-bred life, and
conventional narrating thereof. According to them, no doubt, it is
for the man to talk and the maid to listen; but I state the facts as
they were, honestly. And Lily knew no more of the formalities of
drawing-room life than a skylark fresh from its nest knows of the
song-teacher and the cage. She was still so much of a child. Mrs.
Braefield was right: her mind was still so unformed.
What she did talk about in that first talk between them that could
make the meditative Kenelm listen so mutely, so intently, I know not,
at least I could not jot it down on paper. I fear it was very
egotistical, as the talk of children generally is,--about herself and
her aunt, and her home and her friends; all her friends seemed
children like herself, though younger,--Clemmy the chief of them.
Clemmy was the one who had taken a fancy to Kenelm. And amidst all
this ingenuous prattle there came flashes of a quick intellect, a
lively fancy,--nay, even a poetry of expression or of sentiment. It
might be the talk of a child, but certainly not of a silly child. But
as soon as the dance was over, the little ones again gathered round
Lily. Evidently she was the prime favourite of them all; and as her
companion had now become tired of dancing, new sports were proposed,
and Lily was carried off to "Prisoner's Base."
Public-domain text, read in full here on John Shaqi.
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