Kenelm Chillingly — Volume 08Lytton, Edward Bulwer Lytton, Baron
General
Kenelm Chillingly — Volume 08
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
"True that I have still much to encounter; the cliques still seek to
disparage me, but between me and the cliques there stands at last the
giant form of the public, and at last critics of graver weight than
the cliques have deigned to accord to me a higher rank than even the
public yet acknowledge. Ah, Mr. Chillingly, you do not profess to be
a judge of paintings, but, excuse me, just look at this letter. I
received it only last night from the greatest connoisseur of my art,
certainly in England, perhaps in Europe." Here Melville drew, from
the side-pocket of his picturesque /moyen age/ surtout, a letter
signed by a name authoritative to all who, being painters themselves,
acknowledge authority in one who could no more paint a picture himself
than Addison, the ablest critic of the greatest poem modern Europe has
produced, could have written ten lines of the "Paradise Lost," and
thrust the letter into Kenelm's hand. Kenelm read it listlessly, with
an increased contempt for an artist who could so find in gratified
vanity consolation for the life gone from earth. But, listlessly as
he read the letter, the sincere and fervent enthusiasm of the
laudatory contents impressed him, and the preeminent authority of the
signature could not be denied.
The letter was written on the occasion of Melville's recent election
to the dignity of R. A., successor to a very great artist whose death
had created a vacancy in the Academy. He returned the letter to
Melville, saying, "This is the letter I saw you reading last night as
I looked in at your window. Indeed, for a man who cares for the
opinion of other men, this letter is very flattering; and for the
painter who cares for money, it must be very pleasant to know by how
many guineas every inch of his canvas may be covered." Unable longer
to control his passions of rage, of scorn, of agonizing grief, Kenelm
then burst forth: "Man, man, whom I once accepted as a teacher on
human life,--a teacher to warm, to brighten, to exalt mine own
indifferent, dreamy, slow-pulsed self! has not the one woman whom thou
didst select out of this overcrowded world to be bone of thy bone,
flesh of thy flesh, vanished evermore from the earth,--little more
than a year since her voice was silenced, her heart ceased to beat?
But how slight is such loss to thy life compared to the worth of a
compliment that flatters thy vanity!"
The artist rose to his feet with an indignant impulse. But the angry
flush faded from his cheek as he looked on the countenance of his
rebuker. He walked up to him, and attempted to take his hand, but
Kenelm snatched it scornfully from his grasp.
Public-domain text, read in full here on John Shaqi.
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