Southern States -- Social life and customs -- 1775-1865 -- Fiction
And yet so great was Todd's care over the outside fittings of the
house--details which were necessarily in evidence, and which determined
at a glance the quality of the folks inside--that these several
crumblings, shake-downs, and shrinkages were seldom noticed by the
passer-by. The old adage that a well-brushed hat, a clean collar,
polished shoes, and immaculate gloves--all terminal details--make
the well-dressed man, no matter how shabby or how ill-fitting his
intermediate apparel, applied, according to Todd's standards, to houses
as well as Brummels. He it was who soused the windows of purple glass,
polished the brass knobs, rubbed bright the brass knocker and brass
balls at the top and bottom of the delightful iron railings, to say
nothing of the white marble steps, which he attacked with a slab of
sandstone and cake of fuller's-earth, bringing them to so high a state
of perfection that one wanted to apologize for stepping on them. Thus
it was that the weather-beaten rainspouts, stained bricks, sagging roof,
and blistered window-sashes were no longer in evidence. Indeed, their
very shabbiness so enhanced the brilliancy of Todd's handiwork that the
most casual passers-by were convinced at a glance that gentlefolk lived
within.
On this particular morning, then, Todd had spent most of the time since
daylight--it was now eight o'clock--in the effort to descry his master
making his way along the street, either afoot or by some conveyance, his
eyes dancing, his ears alert as a rabbit's, his restless feet marking
the limit of his eagerness. In his impatience he had practised every
step known to darkydom in single and double shuffle; had patted juba on
one and both knees, keeping time with his heels to the rhythm; had slid
down and climbed up the railings a dozen times, his eyes on the turn in
the street, and had otherwise conducted himself as would any other boy,
black or white, who was at his wits' end to know what to do with the
next second of his time.
Aunt Jemima had listened to the racket until she had lost all patience,
and at last threw up the basement window:
“Go in an' shet dat do'--'fo' I come up dar an' smack ye--'nough ter
make a body deef ter hear ye,” she called, her black shining face
dividing the curtains. “How you know he's a-comin'?”
Todd leaned over the railing and peered down: “Mister Harry Rutter done
tol' me--said dey all 's a-comin'--de jedge an' Doctor Teackle an'
Marse George an' de hull kit an' bilin'. Dey's been gone mos' two weeks
now,--dey's a-comin' I tell ye--be yere any minute.”
“I b'liebe dat when I sees it. Fool nigger like you b'liebe anything.
You better go inside 'fo' you catch yo' dea'f. I gin ye fair warnin'
right now dat I ain't gwineter nuss ye,--d'ye yere?--standin' out dar
like a tarr-pin wid yo' haid out. Go in I tell ye!” and she shut the
window with a bang and made her way to the kitchen.
Public-domain text, read in full here on John Shaqi.
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