Artists -- Fiction; Fathers and sons -- Fiction; Triangles (Interpersonal relations) -- Fiction
That the solution of everything now lay at hand, Kenny never doubted.
Already he had rocketed sentimentally into inspiration. If a certain
vagueness of detail sent him roving abstractedly around the studio with
the letter in his hand, the inspiration in itself was amazingly clear.
Yes, he would fare forth and find Brian. He would tramp every mile of
the road as Brian had done. He would find the farmhouse, the wood and
the river! There happily would be some clue or other that he needed.
And Kenny, in rags and penitential, his feet blistered by the hardships
of the road, would overtake his son and apologize for everything. Nay,
more, he would promise anything. After that the rest would be easy.
Brian had written it there in a letter. Kenny could wind his son
around his finger. Yes, it was all quite clear. And Brian helpfully
would be shocked and thrilled at the sacrificial tribute of penance.
Kenny pursed his lips and nodded. He would even concede the sunsets.
That, after John Whitaker's cold-blooded misinterpretation, was
necessary to his own self-respect--and Brian's happiness.
Ah, love was the only thing in the world that counted, love and art.
Not the love of woman, which was after all but an intermittent
intoxicant, but the love of one's own.
Kenny pitied in foretaste the ragged parent who would come upon the
camp fire of his son, picturesque and repentant, and dramatized the
meeting, a lump in his throat. Emotionally it was complex to be actor
and audience both. Thank God, he reflected, as he opened a closet
door, dragged forth a battered multitude of bags and suit cases and
began an impatient upheaval of bureau drawers, he was a man of action.
When Garry entered a half hour later he found the studio floor littered
with preparation.
"I'm off, this morning," he explained. "In an hour now. Garry, how
can I possibly reduce this mass to packing possibility?"
"Stop running around in circles!" commanded Garry, thunderstruck.
"What's it all about? Where are you going?"
"I'm going," said Kenny with his chin out and his eyes defiant, "to
hunt Brian."
Garry stared blankly at the packing litter and the tall Irishman in the
center of it wearily mopping his forehead. It was impossible to locate
the crags he must have leaped to reach his spectacular decision. They
were shrouded in mystery.
"You mean," said Garry after a while, "that you will tour vaguely off,
seeking a farm on a hill, a wood, a river, a youngster in patches and
Brian's trail of camp fires?"
"Precisely," said Kenny with detestable confidence. "See, even you
mark the clues with perfect logic."
"A farm on a hill," exclaimed Garry, "is of course a clue with absolute
individuality. So is a wood and a river."
"So," supplemented Kenny with the calm, unhurried air of one who scores
an unexpected point, "is a postmark on a letter."
Startled, Garry reached for the envelope. Kenny put it in his pocket.
Public-domain text, read in full here on John Shaqi.
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