Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardens — John Shaqi
Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardensLaw, Ernest
History
Kensington Palace, the birthplace of the Queen: being an historical guide to the state rooms, pictures and gardens
Law, Ernest
Kensington Palace (London, England) -- Guidebooks; Victoria, Queen of Great Britain, 1819-1901
The more substantial but less salient work having been carried out, the
decorative works were next proceeded with, under the constant
supervision of Sir John Taylor, K.C.B., Consulting Architect and
Surveyor to H.M.'s Board of Works, and the continual and immediate
control of Mr. Philip, temporary Clerk of the Works for Kensington
Palace. Moreover, the Hon. Reginald Brett, C.B., Secretary of the Board,
to whose initiative the whole scheme of the restoration, we may say, has
been mainly due, has given a constant close personal attention to
everything that has been done. Nor has any trouble, labour, or research
been spared to render everything as historically and archæologically
correct as possible.
=Methods of Restoration.=
The principles on which the restorations have been carried out will more
fully appear, in the description we give in our subsequent pages, in
regard to every detail of the work. Here we need only say that the most
studied care has been taken never to renew any decoration where it was
possible to preserve it--least of all ever to attempt to "improve" old
work into new. On the contrary, repairing, patching, mending, piecing,
cleaning, have been the main occupations of the decorators, to an extent
that would render some impatient, slapdash builders and surveyors
frantic. Yet it has been all this minute--though no doubt sometimes
costly--attention to details, this laborious piecing together of old
fragments, this reverential saving of original material and work, this
almost-sentimental imitation of the old style and taste where patching
in by modern hands was inevitable, which has produced a result and
effect likely, we think, to arouse the admiration of all who relish the
inimitable charm of antique time-mellowed work.
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