Kentucky's Famous Feuds and Tragedies: Authentic History of the World Renowned Vendettas of the Dark and Bloody Ground — John Shaqi
Kentucky's Famous Feuds and Tragedies: Authentic History of the World Renowned Vendettas of the Dark and Bloody GroundMutzenberg, Charles Gustavus
History
Kentucky's Famous Feuds and Tragedies: Authentic History of the World Renowned Vendettas of the Dark and Bloody Ground
Mutzenberg, Charles Gustavus
Crime -- Kentucky; Vendetta -- Kentucky
Around them stands the throng of bloodthirsty white savages, reared
in the midst of a Christian country, and from which every year go
missionaries and fortunes in money to foreign lands to make man
better and rescue him from savagery. But somehow this region had been
overlooked. Not one voice is raised in pity or favor of the victims, an
unfortunate man, a youth and a child.
The monsters dance about them in imitation of the Indian. They throw
guns suddenly into their faces and howl in derision when the thus
threatened prisoner dodges as much as the bonds which hold him will
permit.
Alex Messer now approaches closely to Phamer McCoy and deliberately
fires six shots into different parts of his body. This is not an act of
mercy, to end the man's suffering. No, he has taken care to avoid the
infliction of any instantly fatal wound. Messer steps back, views the
flowing blood and pain-distorted face and--laughs.
Ellison Mount, supposedly the most savage of them all, now proves more
merciful. He carries a long-barreled, old-fashioned hunting rifle; he
throws it to his shoulder, takes careful aim, and blows out the brains
of Tolbert McCoy who, immediately before the shot fired, had thrown his
arm to protect the face. The bullet penetrated through the arm into the
head.
Only the little boy, Randolph McCoy, Jr., is left unharmed, as yet.
Will they spare him? Some favor his release, one or two demand it. But
this idea is hooted down upon the ground that he is as guilty as the
others, and even if he were not, now that he knew the assassins of his
brothers, it would be utter folly to leave such a dangerous witness
alive to tell the story. "Dead men tell no tales," cries one of the
heartless wretches, and impatient of the useless delay, approaches the
boy and with a double charge of buckshot blows off his head.
The entire band then fires a farewell volley into the bodies of the
dead.
We said "the entire band." This is not correct. For one of the
Hatfields had remained on the other side of the river. "The Bible
condemns murder," he had said. But this good man volunteered to stand
guard and prevent any interference or interruption of the butchery.
The foul deed accomplished, the murderers recrossed the river and
entered West Virginia. Then Val Hatfield, the justice of the peace,
this officer of the law, with solemn formality administered to the
murderers the oath never to betray the name of a member of the band
even should death stare him in the face. What is an oath to such
depraved creatures? There, standing on the banks of the river,
surrounded by that throng of midnight assassins, in sight of the spot
that bore the frightful evidences of the dastardly work, Val Hatfield
commanded them to raise their bloody hands to heaven. Each and all
solemnly swore to stand by each other, never to reveal the secret of
that night's work, asking God to witness their oath. What supreme
blasphemy!
Public-domain text, read in full here on John Shaqi.
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