As I advanced, the dogs separated and slid away into different corners
of the court. I examined the urns on the well, tried a locked door or
two, and looked up and down the dumb façade; then I faced about toward
the chapel. When I turned I perceived that all the dogs had disappeared
except the old pointer, who still watched me from the window. It was
rather a relief to be rid of that cloud of witnesses; and I began to
look about me for a way to the back of the house. “Perhaps there’ll
be somebody in the garden,” I thought. I found a way across the moat,
scrambled over a wall smothered in brambles, and got into the garden.
A few lean hydrangeas and geraniums pined in the flower-beds, and the
ancient house looked down on them indifferently. Its garden side was
plainer and severer than the other: the long granite front, with its few
windows and steep roof, looked like a fortress-prison. I walked around
the farther wing, went up some disjointed steps, and entered the deep
twilight of a narrow and incredibly old box-walk. The walk was just wide
enough for one person to slip through, and its branches met overhead. It
was like the ghost of a box-walk, its lustrous green all turning to
the shadowy greyness of the avenues. I walked on and on, the branches
hitting me in the face and springing back with a dry rattle; and at
length I came out on the grassy top of the _chemin de ronde_. I walked
along it to the gate-tower, looking down into the court, which was just
below me. Not a human being was in sight; and neither were the dogs. I
found a flight of steps in the thickness of the wall and went down them;
and when I emerged again into the court, there stood the circle of dogs,
the golden-brown one a little ahead of the others, the black greyhound
shivering in the rear.
Public-domain text, read in full here on John Shaqi.
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