Kew Gardens: With 24 full-page Illustrations in ColourMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Kew Gardens: With 24 full-page Illustrations in Colour
Moncrieff, A. R. Hope (Ascott Robert Hope)
Kew (London, England); Royal Botanic Gardens, Kew
But Kew was hardly again to welcome the Father of his People. Repeated
agitations went to overthrow his reason for good--the triumphant marches
of Napoleon, the tarnishing of British arms not yet brightened by
Wellington’s victories, the misconduct and unpopularity of his sons, the
death of his beloved youngest daughter, Amelia. At the beginning of 1811,
George had just wits enough left to consent to the Prince’s Regency. A
few months later, Charles Knight was one of the Windsor crowd that saw
their aged Sovereign in public for the last time. Henceforth he lived
confined in the Castle, prisoner of blindness, by and by of deafness,
cheered by music, by religious exaltation, and by delusive memories of
the past, more than by flitting glimmers of melancholy reason, in one of
which he had the satisfaction of learning Napoleon’s downfall and the
recovery of Hanover. A most pathetic figure was the blind old King with
his white beard, only now and then visited by those nearest to him. It is
said that the selfish Regent was moved to tears when one day he overheard
his father murmuring the complaint of Milton’s Samson:--
O dark, dark, dark! Amid the blaze of noon,
Irrecoverably dark! Total eclipse
Without all hope of day!
O first created Beam, and Thou, Great Word,
“Let there be light! and light was over all,”
Why am I thus bereaved Thy prime decree?
When George III. was laid with his fathers in 1820, his stout-hearted
and narrow-minded Queen had gone before him. To the last she tried to do
her duty, according to her lights. Reconciled, at least outwardly, to
her eldest son--indeed it appears that all along the strict moralist had
something of woman’s weakness for that rake--she exerted herself to play
the figurehead of his Court, taking the place of his discarded wife; and
she shared his unpopularity to such an extent as to be hissed by the mob
on her way to hold a Drawing-room; then, after the death of the Princess
Charlotte, she had to face an outburst of popular resentment in the City.
By the autumn of 1818 she was hopelessly prostrated by dropsy. On the way
from London to Windsor her state became so serious that a halt was made
at Kew Palace; and there she died in a chair, in the room now marked by
a brass tablet, her last looks, it is said, fixed on a picture of _The
Dropsical Woman_.
Public-domain text, read in full here on John Shaqi.
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