Kew Gardens: With 24 full-page Illustrations in ColourMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Kew Gardens: With 24 full-page Illustrations in Colour
Moncrieff, A. R. Hope (Ascott Robert Hope)
Kew (London, England); Royal Botanic Gardens, Kew
In the next century Capel’s seat at Kew had a garden which, more than
once, won high praise from that connoisseur, Evelyn. “The orangery and
myrtetum are most beautiful and perfectly kept.” Other gardens in this
neighbourhood called forth Evelyn’s admiration--the Duke of Lauderdale’s
at Ham House, “inferior to few of the best villas in Italy itself”; and
Sir William Temple’s, “lately ambassador to Holland,” whose East Sheen
villa, Temple Grove, has long been a boys’ school--taken for the select
establishment figuring in _Coningsby_--where his _Essay on Gardening_
might be read with more advantage than _The Battle of the Books_. Stephen
Switzer, one of our first writers on gardening, mentions Lord Capel as
distinguished in this pursuit, especially for “bringing over several
sorts of fruit from France.”
Molyneux, heir of the Capels, had an interest in science, leading him
to set up in his grounds a telescope, by means of which the Astronomer
Royal Bradley began observations that led to his great discoveries of the
aberration of light and the nutation of the earth’s axis. The site of
that instrument is now marked by the sun-dial, some way off in front of
Kew Palace, erected by William IV. as a memorial, which serves also to
show whereabouts stood the vanished Kew House, often confused with its
neighbour. The Observatory, in what used to be the Richmond Gardens, may
be considered as another monument to the scientific work so early carried
on at Kew.
When Frederick, Prince of Wales, came to occupy Kew, curbed in his
martial and political ambitions, he took to improving these grounds, for
which purpose he employed William Kent, a bad painter, better esteemed
as an architect, and best remembered by his ideas of what he called
landscape gardening. Inigo Jones had not disdained to design gardens;
and the “improvers” who, throughout the Georgian age, came to be busy
about English country-houses, were more often than not architects by
occupation as well as professed artists in landscape, who had to design
groves and flower-beds, but also temples, grottos, terraces, steps,
statues, fountains, and other ornaments in the taste of their time. Such
pretentious gardeners now found plenty of employment at lordly seats
like Stowe, Badminton, Wanstead, Canons Park, and others aspiring to the
celebrity of elaborate pleasure-grounds.
Public-domain text, read in full here on John Shaqi.
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