There is some mystery about the origin of the extraordinary ill-will shown both by George II. and Caroline towards their heir, a feeling surpassing the antipathy between father and son that made an heirloom in this family for generations. The King tried to keep Frederick from coming to England; then, later on, he was half-willing to cut off Hanover from the English Crown that it might be bestowed upon his favourite, William of Cumberland. The eldest son he usually abused as a puppy, a fool, a beast, and by other such elegant epithets; while the Queen, if we are to believe Lord Hervey, offered once to give him her opinion in writing “that my dear first-born is the greatest ass and the greatest liar, and the greatest _canaille_, and the greatest beast in the whole world, and that I most heartily wish he was out of it.” Yet, when father and son were not on speaking terms, all the family lived together at St. James’s, till, after the birth of the Prince’s first child, he was turned out at short notice to take refuge at Kew, and at makeshift London residences which became in turn the head-quarters of the Opposition. One would suppose that in the country those cat-and-dog neighbours might have chosen to have at least a river between them; but at Kew they were separated only by a road. Kew House, then, began to figure in history as the country-seat of the Prince of Wales. Frederick was by no means a model husband nor a princely man; but he had affection and respect for his wife, the Princess Augusta of Saxe-Gotha, and they at least lived decently together. Here were in part brought up their children: George III.; Edward, Duke of York, who died abroad in 1767; William Henry, Duke of Gloucester, who lived to 1805; Henry, Duke of Cumberland, who, as well as the last-mentioned, came into disfavour through a _mésalliance_; Prince Frederick and Princess Louisa, who both died young; and Caroline Matilda, who married the worthless King of Denmark, and had a miserable end. Horace Walpole sneers at Frederick’s desire to name his children from heroes of English history, not always with his father’s approval; but this trait goes to show the Prince’s aspirations to be a patriotic king. He is said to have taken the “Black Prince” as a model he got no chance of following, perhaps as well for his possible subjects; but the scanty records of his career suggest rather one of Browning’s characters:-- All that the old Dukes were without knowing it, This Duke would fain know he was without being it.