Feminist fiction, Australian; Sex role -- Fiction; Short stories, Australian; Women -- Fiction
"Hold this!" she says, giving me a diminutive fly-book, out of which
she has taken a pair of scissors. I obey meekly. She snips the gut.
"Have you a sharp knife? If I strip the hook you can push it through;
it is lucky it isn't in the cartilage."
I suppose I am an awful idiot, but I only handed her the knife, and
she proceeded as calmly as if stripping a hook in a man's ear were an
every-day occurrence. Her gown is of some soft gray stuff, and her
gray-leather belt is silver clasped. Her hands are soft and cool and
steady, but there is a rarely disturbing thrill in their gentle touch.
The thought flashed through my mind that I had just missed that--a
woman's voluntary tender touch, not a paid caress--all my life.
"Now you can push it through yourself; I hope it won't hurt much."
Taking the hook, I push it through, and a drop of blood follows it.
"Oh!" she cries, but I assure her it is nothing, and stick the hook
surreptitiously in my coat sleeve. Then we both laugh, and I look at
her for the first time. She has a very white forehead, with little
tendrils of hair blowing round it under her gray cap; her eyes are
gray (I didn't see that then,--I only saw they were steady, smiling
eyes, that matched her mouth). Such a mouth! the most maddening mouth a
man ever longed to kiss, above a too pointed chin, soft as a child's;
indeed, the whole face looks soft in the misty light.
"I am sorry I spoilt your sport!" I say.
"Oh, that don't matter, it's time to stop. I got two brace, one a
beauty."
She is winding in her line, and I look in her basket; they _are_
beauties, one two-pounder, the rest running from a half to a pound.
"What fly?"
"Yellow dun took that one; but your assailant was a partridge spider."
I sling her basket over my shoulder; she takes it as a matter of
course, and we retrace our steps. I feel curiously happy as we walk
toward the road; there is a novel delight in her nearness. The feel
of woman works subtilely and strangely in me; the rustle of her skirt
as it brushes the black-heads in the meadow-grass, and the delicate
perfume, partly violets, partly herself, that comes to me with each of
her movements, is a rare pleasure. I am hardly surprised when she turns
into the garden of the inn; I think I knew from the first that she
would.
"Better bathe that ear of yours, and put a few drops of carbolic in the
water." She takes the basket as she says it, and goes into the kitchen.
Public-domain text, read in full here on John Shaqi.
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