Feminist fiction, Australian; Sex role -- Fiction; Short stories, Australian; Women -- Fiction
After a few minutes he returns, carrying a basket covered with a piece
of sacking; a dishevelled-looking hen, with spread wings trailing and
her breast bare from sitting on her eggs, screeches after him. He puts
it carefully down and uncovers it, disclosing seven little balls of
yellow fluff splashed with olive-green; they look up sideways with
bright round eyes, and their little spoon-bills look disproportionately
large.
"Aren't they beauties?" enthusiastically. "This one is just out,"
taking up an egg; "mustn't let it get chilled; there is a chip out
of it and a piece of hanging skin. Isn't it funny?" he asks, showing
her how it is curled in the shell, with its paddles flattened and its
bill breaking through the chip, and the slimy feathers sticking to its
violet skin.
She suppresses an exclamation of disgust, and looks at his
fresh-tinted skin instead. He is covering basket, hen, and all.
"How you love young things!" she says.
"Some! I had a filly once; she turned out a lovely mare! I cried when I
had to sell her; I wouldn't have let any one in God's world mount her."
"Yes, you would!"
"Who?" with a quick look of resentment.
"Me!"
"I wouldn't!"
"What! you wouldn't?"
"I wouldn't!"
"I think you would if I wanted to!" with a flash out of the tail of her
eye.
"No, I wouldn't!"
"Then you would care more for her than for me. I would give you your
choice," passionately, "her or me!"
"What nonsense!"
"Maybe," concentrated; "but it's lucky she isn't here to make deadly
sense of it." A humble-bee buzzes close to her ear, and she is
roused to a sense of facts, and laughs to think how nearly they have
quarrelled over a mare that was sold before she knew him.
Some evenings later she is stretched motionless in a chair; and yet
she conveys an impression of restlessness,--a sensitively nervous
person would feel it. She is gazing at her husband; her brows are
drawn together, and make three little lines. He is reading, reading
quietly, without moving his eyes quickly from side to side of the page
as she does when she reads, and he pulls away at a big pipe with steady
enjoyment. Her eyes turn from him to the window, and follow the course
of two clouds; then they close for a few seconds, then open to watch
him again. He looks up and smiles.
"Finished your book?"
There is a singular, soft monotony in his voice; the organ with which
she replies is capable of more varied expression.
"Yes, it is a book makes one think. It would be a greater book if he
were not an Englishman; he's afraid of shocking the big middle class.
You wouldn't care about it."
"Finished your smoke?"
"No, it went out; too much fag to light up again! No," protestingly,
"never you mind, old boy, why do you?"
He has drawn his long length out of his chair, and kneeling down beside
her guards a lighted match from the incoming evening air. She draws in
the smoke contentedly, and her eyes smile back with a general vague
tenderness.
"Thank you, dear old man!"
Public-domain text, read in full here on John Shaqi.
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