Animal welfare; Hunting -- Moral and ethical aspects; Hunting -- Religious aspects
And yet shooting depends for its toleration on custom as much as on
the coolness with which it has to be performed. It may be illogical to
forgive a man for shooting a pheasant and to loathe him for shooting
a seagull; but as a matter of plain fact one feels that a man who
shoots seagulls is a cad, and soon makes him feel it if he attempts
to do it on board a public ship, whereas the snipe shooter excites no
such repulsion. And “fair game” must be skilfully shot if the maximum
of toleration is to be enjoyed. Even then it is not easy for some of
us to forget that many a bird must have been miserably maimed before
the shooter perfected his skill. The late King Edward the Seventh,
immediately after his recovery from a serious operation which stirred
the whole nation to anxious sympathy with him, shot a stag, which got
away to die of just such internal inflammation as its royal murderer
had happily escaped. Many people read the account without the least
emotion. Others thought it natural that the King should be ashamed,
as a marksman, of his failure to kill, but rejected as sentimental
nonsense the notion that he should feel any remorse on the stag’s
behalf. Had he deliberately shot a cow instead, everyone would have
been astounded and horrified. Custom will reconcile people to any
atrocity; and fashion will drive them to acquire any custom. The
English princess who sits on the throne of Spain goes to bullfights
because it is the Spanish fashion. At first she averted her face,
and probably gave offence by doing so. Now, no doubt, she is a
_connoisseuse_ of the sport. Yet neither she nor the late King Edward
can be classed as cruel monsters. On the contrary, they are conspicuous
examples of the power of cruel institutions to compel the support and
finally win the tolerance and even the enjoyment of persons of full
normal benevolence.
But this is not why I call shooting subtle. It fascinates even humane
persons not only because it is a game of skill in the use of the most
ingenious instrument in general use, but because killing by craft from
a distance is a power that makes a man divine rather than human.
“Oft have I struck
Those that I never saw, and struck them dead”
Public-domain text, read in full here on John Shaqi.
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