Kilmeny of the OrchardMontgomery, L. M. (Lucy Maud)
General
Kilmeny of the Orchard
Montgomery, L. M. (Lucy Maud)
Mute persons -- Juvenile fiction; Prince Edward Island -- Juvenile fiction; Teachers -- Juvenile fiction
What divine music she lured out of the old violin--merry and sad, gay
and sorrowful by turns, music such as the stars of morning might have
made singing together, music that the fairies might have danced to in
their revels among the green hills or on yellow sands, music that might
have mourned over the grave of a dead hope. Then she drifted into a
still sweeter strain. As he listened to it he realized that the whole
soul and nature of the girl were revealing themselves to him through her
music--the beauty and purity of her thoughts, her childhood dreams and
her maiden reveries. There was no thought of concealment about her; she
could not help the revelation she was unconscious of making.
At last she laid her violin aside and wrote,
“I have done my best to give you pleasure. It is your turn now. Do you
remember a promise you made me last night? Have you kept it?”
He gave her the two books he had brought for her--a modern novel and
a volume of poetry unknown to her. He had hesitated a little over the
former; but the book was so fine and full of beauty that he thought it
could not bruise the bloom of her innocence ever so slightly. He had
no doubts about the poetry. It was the utterance of one of those great
inspired souls whose passing tread has made the kingdom of their birth
and labour a veritable Holy Land.
He read her some of the poems. Then he talked to her of his college days
and friends. The minutes passed very swiftly. There was just then no
world for him outside of that old orchard with its falling blossoms and
its shadows and its crooning winds.
Once, when he told her the story of some college pranks wherein the
endless feuds of freshmen and sophomores figured, she clapped her hands
together according to her habit, and laughed aloud--a clear, musical,
silvery peal. It fell on Eric’s ear with a shock of surprise. He thought
it strange that she could laugh like that when she could not speak.
Wherein lay the defect that closed for her the gates of speech? Was it
possible that it could be removed?
“Kilmeny,” he said gravely after a moment’s reflection, during which
he had looked up as she sat with the ruddy sunlight falling through the
lilac branches on her bare, silky head like a shower of red jewels, “do
you mind if I ask you something about your inability to speak? Will it
hurt you to talk of the matter with me?”
She shook her head.
“Oh, no,” she wrote, “I do not mind at all. Of course I am sorry I
cannot speak, but I am quite used to the thought and it never hurts me
at all.”
“Then, Kilmeny, tell me this. Do you know why it is that you are unable
to speak, when all your other faculties are so perfect?”
“No, I do not know at all why I cannot speak. I asked mother once and
she told me it was a judgment on her for a great sin she had committed,
and she looked so strangely that I was frightened, and I never spoke of
it to her or anyone else again.”
Public-domain text, read in full here on John Shaqi.
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