Kimiko, and Other Japanese SketchesHearn, Lafcadio
General
Kimiko, and Other Japanese Sketches
Hearn, Lafcadio
Women -- Japan -- Fiction
_The Evergreen Series_
KIMIKO AND OTHER JAPANESE SKETCHES
By LAFCADIO HEARN
BOSTON AND NEW YORK
HOUGHTON MIFFLIN COMPANY
The Riverside Press Cambridge
1923
COPYRIGHT, 1896, BY HOUGHTON, MIFFLIN & CO.
ALL RIGHTS RESERVED
The Riverside Press
CAMBRIDGE · MASSACHUSETTS
PRINTED IN THE U.S.A.
Transcriber's Note: Dialect spellings, contractions and inconsistencies
have been retained as printed. Words printed in italics are noted with
underscores; _italics_.
KIMIKO
_Wasuraruru
Mi naran to omo
Kokoro koso
Wasuré nu yori mo
Omoi nari-keré._[1]
[1] "To wish to be forgotten by the beloved is a soul-task
harder far than trying not to forget."--_Poem by_ KIMIKO.
I
The name is on a paper-lantern at the entrance of a house in the Street
of the Geisha.
Seen at night the street is one of the queerest in the world. It is
narrow as a gangway; and the dark shining wood-work of the house-fronts,
all tightly closed,--each having a tiny sliding door with paper-panes
that look just like frosted glass,--makes you think of first-class
passenger-cabins. Really the buildings are several stories high;
but you do not observe this at once--especially if there be no
moon--because only the lower stories are illuminated up to their
awnings, above which all is darkness. The illumination is made by lamps
behind the narrow paper-paned doors, and by the paper-lanterns hanging
outside--one at every door. You look down the street between two lines
of these lanterns--lines converging far-off into one motionless bar of
yellow light. Some of the lanterns are egg-shaped, some cylindrical;
others four-sided or six-sided; and Japanese characters are beautifully
written upon them. The street is very quiet--silent as a display of
cabinet-work in some great exhibition after closing-time. This is
because the inmates are mostly away--attending banquets and other
festivities. Their life is of the night.
The legend upon the first lantern to the left as you go south is
"Kinoya: uchi O-Kata"; and that means The House of Gold wherein O-Kata
dwells. The lantern to the right tells of the House of Nishimura, and
of a girl Miyotsuru--which name signifies The Stork Magnificently
Existing. Next upon the left comes the House of Kajita;--and in that
house are Kohana, the Flower-Bud, and Hinako, whose face is pretty as
the face of a doll. Opposite is the House Nagaye, wherein live Kimika
and Kimiko.... And this luminous double litany of names is half-a-mile
long.
Public-domain text, read in full here on John Shaqi.
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