Kimiko, and Other Japanese SketchesHearn, Lafcadio
General
Kimiko, and Other Japanese Sketches
Hearn, Lafcadio
Women -- Japan -- Fiction
Afterwards she attended an elementary public school. The first "modern"
textbooks had just been issued--containing Japanese translations of
English, German, and French stories about honor and duty and heroism,
excellently chosen, and illustrated with tiny innocent pictures of
Western people in costumes never of this world. Those dear pathetic
little textbooks are now curiosities: they have long been superseded by
pretentious compilations much less lovingly and sensibly edited. Ai
learned well. Once a year, at examination time, a great official would
visit the school, and talk to the children as if they were all his own,
and stroke each silky head as he distributed the prizes. He is now a
retired statesman, and has doubtless forgotten Ai;--and in the schools
of today nobody caresses little girls, or gives them prizes.
Then came those reconstructive changes by which families of rank were
reduced to obscurity and poverty; and Ai had to leave school. Many
great sorrows followed, till there remained to her only her mother and
an infant sister. The mother and Ai could do little but weave; and by
weaving alone they could not earn enough to live. House and lands
first--then, article by article, all things not necessary to
existence--heirlooms, trinkets, costly robes, crested lacquer-ware--passed
cheaply to those whom misery makes rich, and whose wealth is called
by the people _Namida no kane_--"the Money of Tears." Help from
the living was scanty--for most of the samurai-families of kin were
in like distress. But when there was nothing left to sell--not even
Ai's little school-books--help was sought from the dead.
For it was remembered that the father of Ai's father had been buried
with his sword, the gift of a daimyo; and that the mountings of the
weapon were of gold. So the grave was opened, and the grand hilt of
curious workmanship exchanged for a common one, and the ornaments of
the lacquered sheath removed. But the good blade was not taken, because
the warrior might need it. Ai saw his face as he sat erect in the great
red-clay urn which served in lieu of coffin to the samurai of high rank
when buried by the ancient rite. His features were still recognizable
after all those years of sepulture; and he seemed to nod a grim assent
to what had been done as his sword was given back to him.
At last the mother of Ai became too weak and ill to work at the loom;
and the gold of the dead had been spent. Ai said: "Mother, I know there
is but one thing now to do. Let me be sold to the dancing-girls." The
mother wept, and made no reply. Ai did not weep, but went out alone.
Public-domain text, read in full here on John Shaqi.
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