"Well, that is true, after all, whether in Piccadilly or in the
Yoshiwara. All prostitution is just a commercial transaction."
"Perhaps," said the young diplomat, "but what about the Ideal at the
back of our minds? Passion is often a grotesque incarnation of the
Ideal, like a savage's rude image of his god. A glimpse of the ideal
is possible in Piccadilly, and impossible in the Yoshiwara. The divine
something was visible in Marguérite Gautier; little Hugh saw it even
in Nana. For one thing, here in London, in the dirtiest of sordid
dramas, it is still the woman who gives, but in Japan it is always the
man who takes."
"Aubrey," said his friend, "I had no idea that you were a poet, or in
other words that you ever talked nonsense without laughing. You think
such a shock is strong enough to upset the Barrington _ménage_?"
"It will give furiously to think," he answered, "to poor old Geoffrey,
who is a very straight, clean and honest fellow, not overused to
furious thinking. I suppose if one married a monkey, one might
persuade oneself of her humanity, until one saw her kindred in cages."
"Poor little Asako, my latest god-daughter!" cried Lady Everington.
"Really, Aubrey, you are very rude!"
"I did not mean to be," said Laking penitently. "She is a most
ingratiating little creature, like a lazy kitten; but I think it is
unwise for him to take her to Japan. All kinds of latent orientalisms
may develop."
* * * * *
The spring was at hand, the season of impulse, when we obey most
readily the sudden stirrings of our hearts. Even in the torrid climate
of Egypt, squalls of rain passed over like stray birds of passage.
Asako Barrington felt the fresh influence and the desire to do new
things in new places. Hitherto she had evinced very little inclination
to revisit the home of her ancestors. But on their return from the
temples of Luxor, she said quite unexpectedly to Geoffrey,--
"If we go to Japan now, we shall be in time to see the
cherry-blossoms."
"Why, little Yum Yum," cried her husband, delighted, "are you tired of
Pharaohs?"
"Egypt is very interesting," said Asako, correctly; "it is wonderful
to think of these great places standing here for thousands and
thousands of years. But it makes one sad, don't you think? Everybody
here seems to have died long, long ago. It would be nice to see green
fields again, wouldn't it, Geoffrey dearest?"
The voice of the Spring was speaking clearly.
"And you really want to go to Japan, sweetheart? It's the first time
I've heard you say you want to go."
"Uncle and Aunt Murata in Paris used always to say about now, 'If we
go back to Japan we shall be in time to see the cherry-blossoms.'"
"Why," asked Geoffrey, "do the Japanese make such a fuss about their
cherry-blossoms?"
"They must be very pretty," answered his wife, "like great clouds of
snow. Besides, the cherry-flowers are supposed to be like the Japanese
spirit."
"So you are my little cherry-blossom--is that right?"
Public-domain text, read in full here on John Shaqi.
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