"A man who goes about like that," he said, "is a living lie."
* * * * *
Two days later, early in the morning, they left Kyoto by the great
metal high road of Japan, which has replaced the famous way known as
the _Tokaido_, sacred in history, legend and art. Every stone has its
message for Japanese eyes, every tree its association with poetry or
romance. Even among Western connoisseurs of Japanese wood engraving,
its fifty-two resting places are as familiar as the Stations of the
Cross. Such is the _Tokaido_, the road between the two capitals of
Kyoto and Tokyo, still haunted by the ghosts of the Emperor's ox-drawn
wagons, the _Shoguns'_ lacquered palanquins, by feudal warriors in
their death-like armour, and by the swinging strides of the _samurai_.
"Look, look, Fujiyama!"
There was a movement in the observation-car, where Geoffrey and his
wife were watching the unfolding of their new country. The sea was
away to the right beyond the tea-fields and the pine-woods. To the
left was the base of a mountain. Its summit was wrapped in cloud. From
the fragment visible, it was possible to appreciate the architecture
of the whole--_ex pede Herculem_. It took the train quite one hour to
travel over that arc of the circuit of Fuji, which it must pass on its
way to Tokyo. During this time, the curtained presence of the great
mountain dominated the landscape. Everything seemed to lead up to that
mantle of cloud. The terraced rice fields rose towards it, the trees
slanted towards it, the moorland seemed to be pulled upwards, and the
skin of the earth was stretched taut over some giant limb which
had pushed itself up from below, the calm sea was waiting for its
reflection, and even the microscopic train seemed to swing in its
orbit round the mountain like an unwilling satellite.
"It's a pity we can't see it," said Geoffrey.
"Yes; it's the only big thing in the whole darned country," said a
saturnine American, sitting opposite; "and then, when you get on to
it, it's just a heap of cinders."
Asako was not worrying about the landscape. Her thoughts were directed
to a family of well-to-do Japanese, first-class passengers, who had
settled in the observation car for half an hour or so, and had then
withdrawn. There was a father, his wife and two daughters, wax-like
figures who did not utter a word but glided shadow-like in and out of
the compartment. Were they relations of hers?
Public-domain text, read in full here on John Shaqi.
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