United States -- History -- Civil War, 1861-1865 -- Fiction
The house was of brick. So being, in a land where most dwellings are of
wood, it had gathered beauty from time and dignity from tried strength,
and with satisfying grace joined itself to its grounds, whose abundance
and variety of flowering, broad-leaved evergreens lent, in turn, a
poetic authenticity to its Greek columns and to the Roman arches of its
doors and windows. Especially in these mild, fragrant, blue nights was
this charm potent, and the fair home seemed to its hidden beholder
forever set apart from the discords and distresses of a turbulent world.
And now an upper window brightened, its sash went up, and at the
veranda's balustrade Anna stood outlined against the inner glow.
She may have intended but one look at the stars, but they and the spiced
air were enchanting, and in confidence that no earthly eye was on her
she tarried, gazing out to the farthest gleam of the river where it
swung southward round the English Turn.
Down in the garden a mirthful ecstasy ran through all the blood of her
culprit observer and he drank to her only with his eyes. Against the
window's brightness her dark outline showed true, and every smallest
strand of her hair that played along the contours of brow and head
changed his merriment to reverence and bade his heart recognize how
infinitely distant from his was her thought. Hilary Kincaid! can you
read no better than that?
Her thought was of him. Her mind's eye saw him on his homeward ride. It
marked the erectness of his frame, the gayety of his mien, the dance of
his locks. By her inner ear she heard his horse's tread passing up the
narrow round-stone pavements of the Creole Quarter, presently to echo in
old St. Peter Street under the windows of Pontalba Row--one of which was
Flora's. Would it ring straight on, or would it pause between that
window and the orange and myrtle shades of Jackson Square? Constance had
said that day to Miranda--for this star-gazer to overhear--that she did
not believe Kincaid loved Flora, and the hearer had longed to ask her
why, but knew she could not tell. Why is a man's word. "They're as
helpless without it," the muser recalled having very lately written on a
secret page, "as women are before it. And yet a girl can be very hungry,
at times, for a why. They say he's as brave as a lion--why is he never
brave to me?"
So futilely ended the strain on the remembered page, but while his
unsuspected gaze abode on her lifted eyes her thought prolonged the
note: "If he meant love to-night, why did he not stand to his meaning
when I laughed it away? Was that for his friend's sake, or is he only
not brave enough to make one wild guess at me? Ah, I bless Heaven he's
the kind that cannot! And still--oh, Hilary Kincaid, if you were the
girl and I the man! I shouldn't be on my way home; I'd be down in this
garden--." She slowly withdrew.
Public-domain text, read in full here on John Shaqi.
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