King Arthur and the Knights of the Round TableMalory, Thomas, Sir
General
King Arthur and the Knights of the Round Table
Malory, Thomas, Sir
Arthurian romances
Produced by Peter Vachuska, Dave Morgan, Mary Meehan and
the Online Distributed Proofreading Team at
https://www.pgdp.net
KING ARTHUR
_and the Knights of the Round Table_
EDITED BY RUPERT S. HOLLAND
GROSSET & DUNLAP
_Publishers_ NEW YORK
_Copyright, 1919, by
George W. Jacobs & Company_
_Printed in the United States of America_
[Illustration: "This girdle, lords," said she, "is made for the most
part of mine own hair, which, while I was yet in the world, I loved full
well."]
INTRODUCTION
King Arthur and the Knights of the Round Table! What magic is in the
words! How they carry us straight to the days of chivalry, to the
witchcraft of Merlin, to the wonderful deeds of Lancelot and Perceval
and Galahad, to the Quest for the Holy Grail, to all that "glorious
company, the flower of men," as Tennyson has called the king and his
companions! Down through the ages the stories have come to us, one of
the few great romances which, like the tales of Homer, are as fresh and
vivid to-day as when men first recited them in court and camp and
cottage. Other great kings and paladins are lost in the dim shadows of
long-past centuries, but Arthur still reigns in Camelot and his knights
still ride forth to seek the Grail.
"No little thing shall be
The gentle music of the bygone years,
Long past to us with all their hopes and fears."
So wrote the poet William Morris in _The Earthly Paradise_. And surely
it is no small debt of gratitude we owe the troubadours and chroniclers
and poets who through many centuries have sung of Arthur and his
champions, each adding to the song the gifts of his own imagination, so
building from simple folk-tales one of the most magnificent and moving
stories in all literature.
This debt perhaps we owe in greatest measure to three men; to Chrétien
de Troies, a Frenchman, who in the twelfth century put many of the old
Arthurian legends into verse; to Sir Thomas Malory, who first wrote out
most of the stories in English prose, and whose book, the _Morte
Darthur_, was printed by William Caxton, the first English printer, in
1485; and to Alfred, Lord Tennyson, who in his series of poems entitled
the _Idylls of the King_ retold the legends in new and beautiful guise
in the nineteenth century.
Public-domain text, read in full here on John Shaqi.
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