King Eric and the Outlaws, Vol. 1: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 1: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
These vivid and truthful records of the middle ages of Denmark are to
the modern writer of romance, what the oral traditions of the heroic
age were to the chronicler of the Saga. They relate not only the
exploits of northern warriors in their own, and in distant lands, but
are also especially interesting, from the light they throw on the
personal history of Denmark's most chivalrous monarchs. Their joys and
sorrows, their sterner passions and gentler affections, are described
by the national minstrel in a strain of simple and touching
earnestness, which wins the full sympathy of the reader. This power of
delineating human passion lends a charm even to some ballads, handing
down the wildest superstitions of a superstitious age. In Germany the
Danish ballads are known through the translations of Professor Grimm,
who has entered with the enthusiasm both of an antiquary and a poet,
into the spirit of Scandinavian lore. In the preface to his version of
the "Kj[oe]mpe Vise," M. Grimm dwells with peculiar pleasure on those
ballads which have not only supplied M. Ingemann with much of the
incident, but have also suggested the individual colouring of the
historic portraits of "Eric and the Outlaws." All the prominent
characters introduced into this romance from King Eric himself, down to
Morten the cook, are historical, and enacted scarcely less romantic
parts in the drama of real life, than those assigned them by M.
Ingemann.
The struggle with papal authority--the encroachments of the Hanse
towns--and the invidious attempts of the "Leccarii," (the socialists of
the 13th century) were important features of that interesting period
which this work is designed to illustrate.
The translator is aware of the difficulty of attracting attention to a
romance drawn from Danish history; the work also makes its appearance
without any of those adventitious advantages which sometimes ensure a
favourable introduction to the public--it is translated by an unknown
pen--is unaided by patronage of any kind--and has solely its own merits
to rely on for success. It would afford no slight gratification to the
translator were these to be appreciated by the reading public of a
nation, which not only in its early history, is closely connected with
Denmark, but which has inherited from Scandinavian ancestors, that
indomitable spirit which rendered them in olden time masters of the
seas.
KING ERIC
AND THE OUTLAWS.
CHAPTER I.
Public-domain text, read in full here on John Shaqi.
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