King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
"Hence! back! life is at stake!" said a voice behind him in a frantic
tone. The king felt himself forcibly grasped by a powerful hand, and at
the same moment a fearful explosion, resembling a clap of thunder, was
heard, with a flash as of a thousand combined lightnings; many persons
fell to the ground with a cry of horror. The ladies swooned--a cloud of
smoke encompassed them, with a suffocating sulphureous vapour. The
terrible artist himself lay mangled and lifeless on the grass, with the
extinguished torch in his hand. Master Laurentius threw himself upon
the body in grief; there was a fearful panic and confusion.
The king stood unscathed a few steps from the corpse of the wretched
Thrand, and now first perceived who had dragged him from his dangerous
position. It was his own brother Christopher, who, with his Duke's
diploma crumpled in his left hand, and with his right still
convulsively grasping the king's arm, stood pale as death gazing on the
lifeless philosopher. "The judgment of God!" he said in a deep and
scarcely audible voice. He quitted his hold of his brother's arm, and
then, as if pursued by evil spirits, rushed into the dark avenue, and
disappeared.
"Christopher! What is this?" said the king in a low voice, as he looked
after him, with a horrible conjecture, but he quickly recovered
himself, and hastened to attend his bride and the terrified ladies.
"The danger is over," he said with calmness, "but this specimen of art
hath cost the artist his life. If he hath spoken truth, his dangerous
art hath perished with him, and the whole world is lapsed into
barbarism and ignorance. He was a wise and learned man," he added, as
he saw most of the company tranquillised, but heard the suspicion of
treachery loudly expressed--"Let us not judge his intentions! perhaps
he hath sacrificed life as a martyr to his science--'twas pity,
however, he would personate our Lord; the Almighty lets himself not be
mocked."
None were injured but the hapless artist, and the company soon returned
composed and thoughtful to the illuminated avenues in the garden.
Ingeborg's fears were calmed and she clung tenderly to her bridegroom's
arm. It appeared to her and to all, as if an inconceivable miracle had
saved the king's life and crushed his treacherous foes. The report of
the king's peril had interrupted the bridal festivities; but wherever
he showed himself the music and merriment again commenced, and the
royal bridal pair were followed back to the castle, with almost
deafening acclamations.
Public-domain text, read in full here on John Shaqi.
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