King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.Ingemann, Bernhard Severin
History
King Eric and the Outlaws, Vol. 3: or, the Throne, the Church, and the People in the Thirteenth Century.
Ingemann, Bernhard Severin
Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
"Instantly! most mighty king!" answered the artist in a lowered tone,
and produced a calf-skin, which he rolled up and placed on the ground.
He then took out of his pocket a small, unknown substance, of some few
inches thickness, which he placed under it, and commenced several other
preparations, seemingly just as simple and trivial. "Now place yourself
there, your grace!" he resumed, "and give close heed! Quit not your
place until you see me withdraw. Let the ladies step aside, it might
perhaps alarm those who are weakly, although there is no danger
whatever. As soon as I light this torch and bring it into contact with
this simple apparatus, you will hear a voice like that which nature's
great spirit sends forth from the clouds of heaven, to announce his
sovereignty over all the earth, as lord of life and death; but _this_
voice obeys _my_ bidding and _my_ will--now mark!" The ladies stepped
aside and looked inquisitively towards the artist. Some of the noble
guests drew nearer; others drew back with suspicion. The king stood
silent and attentive, on the spot assigned him. The learned Master
Petrus de Dacia stood nearest him; his eyes were raised towards the
clear bright stars, and he appeared occasionally to look on the little
mountebank and his whole proceedings, with a kind of contemptuous pity.
Count Henrik was not present; at the Drost's suggestion he had employed
himself in securing the castle against every possible attack of the
outlaws, some of whom were supposed to have been recognised among the
masked wedding guests who, however, had already escaped.
The expectation of the whole assemblage was now turned towards the
exhibition of art, which had been so pompously announced. The
mysterious artist was still busied with his preparations, and appeared
himself somewhat thoughtful and hesitating. He lighted a torch at some
distance, and took a book out of his pocket, which he appeared to
consult. He had placed a pair of large spectacles before his eyes, and
as he thus stood in the torch-light, with his deformed figure and fiery
red mantle, he resembled a goblin or a fire-gnome, rather than a human
being. He presently replaced the book in his pocket, and lighted
another torch.
"Stop your ears with this, your grace!" whispered the considerate
Master Laurentius, handing a couple of wax-balls to the king, "from
what I know of this specimen of art, it may have a stunning and
injurious effect on the hearing." The king nodded and followed his
advice. The artist now held the lighted torch in his hand; the red
flame lit up his face--it was expressive of a fearful degree of
agitation--every muscle was horribly, almost convulsively,
distorted--He approached slowly with the torch towards the mysterious
apparatus, and most of the spectators drew back with apprehension. The
king stood calm and attentive in his place, by the side of Master
Petrus de Dacia, with his foot on the rolled-up hide.
Public-domain text, read in full here on John Shaqi.
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