Great Britain -- History -- Henry IV, 1399-1413 -- Drama; Henry IV, King of England, 1367-1413 -- Drama; Historical drama
Past and to come seems best; things present, worst.
MOWBRAY. Shall we go draw our numbers, and set on?
HASTINGS. We are time's subjects, and time bids be gone.
Exeunt
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ACT II. SCENE I.
London. A street
Enter HOSTESS with two officers, FANG and SNARE
HOSTESS. Master Fang, have you ent'red the action?
FANG. It is ent'red.
HOSTESS. Where's your yeoman? Is't a lusty yeoman? Will 'a
stand
to't?
FANG. Sirrah, where's Snare?
HOSTESS. O Lord, ay! good Master Snare.
SNARE. Here, here.
FANG. Snare, we must arrest Sir John Falstaff.
HOSTESS. Yea, good Master Snare; I have ent'red him and all.
SNARE. It may chance cost some of our lives, for he will stab.
HOSTESS. Alas the day! take heed of him; he stabb'd me in mine
own
house, and that most beastly. In good faith, 'a cares not
what
mischief he does, if his weapon be out; he will foin like any
devil; he will spare neither man, woman, nor child.
FANG. If I can close with him, I care not for his thrust.
HOSTESS. No, nor I neither; I'll be at your elbow.
FANG. An I but fist him once; an 'a come but within my vice!
HOSTESS. I am undone by his going; I warrant you, he's an
infinitive thing upon my score. Good Master Fang, hold him
sure.
Good Master Snare, let him not scape. 'A comes continuantly
to
Pie-corner--saving your manhoods--to buy a saddle; and he is
indited to dinner to the Lubber's Head in Lumbert Street, to
Master Smooth's the silkman. I pray you, since my exion is
ent'red, and my case so openly known to the world, let him be
brought in to his answer. A hundred mark is a long one for a
poor
lone woman to bear; and I have borne, and borne, and borne;
and
have been fubb'd off, and fubb'd off, and fubb'd off, from
this
day to that day, that it is a shame to be thought on. There
is no
honesty in such dealing; unless a woman should be made an ass
and
a beast, to bear every knave's wrong.
Enter SIR JOHN FALSTAFF, PAGE, and BARDOLPH
Public-domain text, read in full here on John Shaqi.
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