King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
General
King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
English poetry -- Middle English, 1100-1500; Mary, Blessed Virgin, Saint -- Legends; Romances, English
In Germany are to be encountered many versions of the popular story. The
earliest one seems to have been the Low Rhenish poem Floyris and
Blaunchiflur, of about 3700 lines, translated by an unknown poet about
1170 (Steinmeyer, H. Z. xxi, 307-331). To the middle of the 13th century
belongs the MHG. poem in 8006 lines by Konrad Fleck, composed, quite
independently of the Low Rhenish version above mentioned, after an OF.
original. (Ed. by E. Sommer, Quedlingburg u. Leipzig, 1846.) Somewhat
younger is the Mid. Low Germ. poem, _Floris ende Blancefloer_ of 3983
lines (Ed. by H. von Fallensleben, Leipzig, 1836, and by H. E. Moltzer,
Groningen, 1879, in the _Bibl. van Middelnederlands Letterkunde_). The
poet, Dideric van Assenede, says, himself, that he derived his material
from the “Walsche.”[I-17] As a matter of fact his original seems to have
been French. To the third half of the 14th century belongs the Low Germ.
poem _Flosse un Blankflosse_ of 1534 lines (Ed. by Stephan Waetzoldt,
Bremen, 1880), which also seems to go back to a French original.[I-18]
If we look more closely into the question of the French original of the
German poems, we must assume a version, χ, earlier than the version
preserved in the three existing MSS. of French I. version. These three
MSS. may be classed into a group, _z_, whose chief characteristic is the
attempted suicide of Floris in the Lion pit. This scene appears in two
of the existing MSS., and the writer of the third MS. seems to have had
the scene in his original but to have left it out. (Cf. H. Sundmacher,
_Die altfrz. u. mittelhd. Bearbeitung der Sage von Fl. und Bl._, diss.
Göttingen, 1872.) Among the German versions it appears only in the LG.
_Flosse un Blankflosse_. The other German versions must rest on an OF.
version, χ, which at the hands of Fleck[I-19] underwent an artistic
reconstruction, but at the hands of Dideric was translated simply,
without the addition of any new ideas by the adapter.
In addition to these early German versions must be mentioned two groups
of _Volksbücher_: (1) from Boccaccio’s Filocolo, (2) from Fleck’s poem,
also a Bohemian adaptation and a German Jewish adaptation,
(Cf. Hausknecht, ed. of Fl. u. Bl., pp. 13-20, Berlin, 1885.)
_(e) In Scandinavia._
Public-domain text, read in full here on John Shaqi.
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