And Helen sang it as one possessed by it, as one made drunk with its
glory--as the very Goddess of Joy that she was. For the Storm-King
and his legions had fled, and another vision had come into her
heart, a vision that every one ought to carry with him when the
great symphony is to be heard. He should see the hall in Vienna
where it was given for the last time in the great master's life, and
see the great master himself, the bowed and broken figure that all
musicians worship, standing up to conduct it; and see him leading it
through all its wild surging passion, almost too frantic to be
endured; and then, when the last towering climax has passed and the
music has ceased and the multitude at his back has burst forth into
its thundering shout, see the one pathetic figure standing there
aloft before all eyes and still blindly beating the time. There must
have been tears in the eyes of every man in that place to know the
reason for it,--that he from whose heart all their joy had come, he
who was lord and master of it, had never heard in his life and could
never hope to hear one sound of that music he had written, but must
dwell a prisoner in darkness and solitude forever.
That was the picture before Helen's eyes; she did not think of the
fearful tragedy of it--she had no feeling for tragedy, she knew no
more about suffering than a child just born. But joy she knew, and
joy she was; she was the multitude lifted up in its ecstasy,
throbbing, burning and triumphant, and she sang the great choruses,
one after another, and the piano beneath her fingers thundered and
rang with the instrumental part. Surely in all music there is no
utterance of joy so sustained and so overwhelming in its intensity
as this; it is a frenzy almost more than man can stand; it is joy
more than human--the joy of existence:--
“Pleasure every creature living
From kind Nature's breast receives;
Good and evil, all are seeking
For the rosy path she leaves.”
And so the torrent of passionate exultation swept Helen onward with
it until the very end, the last frantic prestissimo chorus, and then
she sprang to her feet and flung up her hands with a cry. She stood
thus for a moment, glowing with exultation, and then she sank down
again and sat staring before her, the music still echoing through
every fiber of her soul, and the shouting multitude still surging
before her.
For just how long that lasted, she knew not, but only that her wild
mood was gradually subsiding, and that she felt herself sinking
back, as a bird sinks after its flight; then suddenly she turned.
Arthur was at her side, and she gave a cry, for he had seized her
hand in his, and was covering it with burning kisses.
“Arthur! Arthur!” she gasped.
Public-domain text, read in full here on John Shaqi.
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