“Then why haven't you ever learned? Our English poets have all been
ridiculous creatures about music, any how; I don't believe there was
one in this century, except Browning, that really knew anything
about it, and all their groaning and pining for inspiration was
nothing in the world but a need of some music; I was reading the
'Palace of Art' only the other day, and there was that 'lordly
pleasure house' with all its modern improvements, and without a
sound of music. Of course the poor soul had to go back to the
suffering world, if it were only to hear a hand-organ again.”
“That is certainly a novel theory,” admitted the young poet. “I
shall come to you when I need inspiration.”
“Come and bring me your songs,” added the girl, “and I will sing
them to you. You can write me a poem about that brook, for one
thing. I was thinking just as I came down the road that if I were a
poet I should have beautiful things to say to that brook. Will you
do it for me?”
“I have already tried to write one,” said the young man,
hesitatingly.
“A song?” asked Helen.
“Yes.”
“Oh, good! And I shall make some music for it; will you tell it to
me?”
“When?”
“Now, if you can remember it,” said Helen. “Can you?”
“If you wish it,” said Arthur, simply; “I wrote it two or three
months ago, when the country was different from now.”
He fumbled in his pocket for some papers, and then in a low tone he
read these words to the girl:
AT MIDNIGHT
The burden of the winter
The year haa borne too long,
And oh, my heart is weary
For a springtime song!
The moonbeams shrink unwelcomed
From the frozen lake;
Of all the forest voices
There is but one awake
I seek thee, happy streamlet
That murmurest on thy way,
As a child in troubled slumber
Still dreaming of its play;
I ask thee where in thy journey
Thou seeest so fair a sight,
That thou hast joy and singing
All through the winter night.
Helen was silent for a few moments, then she said, “I think that is
beautiful, Arthur; but it is not what I want.”
“Why not?” he asked.
“I should have liked it when you wrote it, but now the spring has
come, and we must be happy. You have heard the springtime song.”
“Yes,” said Arthur, “and the streamlet has led me to the beautiful
sight.”
“It _is_ beautiful,” said Helen, gazing about her with that naive
unconsciousness which “every wise man's son doth know” is one thing
he may never trust in a woman. “It could not be more beautiful,” she
added, “and you must write me something about it, instead of
wandering around our pasture-pond on winter nights till your
imagination turns it into a frozen lake.”
The young poet put away his papers rather suddenly at that, and
Helen, after gazing at him for a moment, and laughing to herself,
sprang up from the seat.
“Come!” she cried, “why are we sitting here, anyway, talking about
all sorts of things, and forgetting the springtime altogether? I
haven't been half as happy yet as I mean to be.”
Public-domain text, read in full here on John Shaqi.
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